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Fade to Black: Tony Kaye, Director 

By Darroch Greer

Tony Kaye, the man who brought us the inside view of racism in American History X, is an uncompromising filmmaker who does not do things by halves. Lake...

Step By Step: Evan Almighty 

By Ellen Wolff

Universal Pictures’ Evan Almighty was designed to have visual effects of mythic proportions, and a raft of houses—including the big facilities Industrial Light & Magic (ILM) and Rhythm & Hues...

Edit Tools: Google 

By Charissa Young

Known among producers as a great basic set-design and previz tool, Google SketchUp Pro uses 2D drawing techniques to facilitate...

Edit Review: Apple Final Cut Studio 2  

Reviewer: Jan Ozer

Apple Final Cut Studio 2 is like the proverbial elephant and the blind man your impression depends upon where you touch it. For this review, I'll touch...

Edit Review: ViewCast Niagara GoStream 

Reviewer: Tom Patrick McAuliffe

Until recently, streaming media often entailed capturing footage, taking it to the edit suite, encoding it, and then sending it to a streaming-media service...

Aerial HD 

By Michael Goldman

Earlier this year, filmmaker Brian J. Terwilliger earned attention for his independent HD feature called “One Six Right: The Romance of Flying”—a tribute to the Van Nuys, Calif., municipal airport and the art of small plane aviation. ...

Breaking News from The Briefing Room: MOTU Introduces V3HD 

Meet the new hub for your video production studio. With one simple plug-and-play FireWire connection, the V3HD turns your Mac or PC desktop or laptop computer into a powerful HD/SD video production workstation...

Field Testing the Panasonic AG-HPX500 

By Craig Erpelding

As previously reported and discussed by Panasonic at its NAB presentation this year, the company has been aggressively promoting the use of its P2 solid state memory cards and camcorders...

True Colors  

By Michael Goldman

The principal architects for three prominent summer CG animated movies— Ratatouille, Shrek the Third, and Surf's Up—talk with millimeter about the process of designing, building, and executing complicated color palettes for such movies...

Step By Step: The NFL on Fox  

By Ellen Wolff

This promises to be the year of “transformers,” and Fox Sports Graphics and Blur Studios have already made menacing robots work for them. . Fox chose Blur Studio in Venice, Calif. to animate the 3D-CG show opener for its National Football...