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Solaris 

By Ellen Wolff

For the latest proof of the enduring influence of Stanley Kubrick's 2001: A Space Odyssey, look no further than the lengthy spaceship shots in Steven Soderbergh's Solaris (Fox/Lightstorm)....

AI Armies 

by Ellen Wolff

It's a scene that likely exceeds the wildest fantasies of Cecil B. DeMille: 70,000 soldiers marching across the screen in director Peter Jackson's The Two Towers, the second installment in New Line's film trilogy The Lord Of The Rings....

Inside Firefly 

by Loni Peristere

Since Joss Whedon and I had worked together for six years on Buffy the Vampire Slayer and three years on its spinoff, Angel, it wasn't surprising that he asked me to serve as visual effects supervisor on his new sci-fi show, Firefly....

Using Mo-Cap to Track 

Michael Goldman

Director Robert Rodriguez and his effects team on Spy Kids 2: The Island of Lost Dreams say they benefited greatly from motion-capture help in building a couple of effects scenes, but not in the usual way....

Considering OS X 

by S. D. Katz

Apple's OS X
and Why You Need to Learn It...

Siggraph 2002: San Antonio 

By Dan Ochiva

Looking forward to the industry's annual premier computer graphics event....

Dinotopia: CG Dinosaurs Evolve 

By Ellen Wolff

Forget the The Flintstones. A breakthrough process flawlessly integrates live-action with CG dinosaurs....

Editing DV on Avid Xpress DV v3.0 

By Steve Mullen

This workflow tutorial for DV shooters examines new features in version 3.0. Unless you've been hiding in a cave for the last nine months, you know that...

Meteor Studios 

by Ellen Wolff

Montreal's newest CG house brings big beasts to the small screen with an innovative workflow....

Minority Report 

by Ellen Wolff

Photo-modeling creates the "home movie" of the future....

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