By Ellen Wolff
For the latest proof of the enduring influence of Stanley Kubrick's 2001: A Space Odyssey, look no further than the lengthy spaceship shots in Steven Soderbergh's Solaris (Fox/Lightstorm)....
by Ellen Wolff
It's a scene that likely exceeds the wildest fantasies of Cecil B. DeMille: 70,000 soldiers marching across the screen in director Peter Jackson's The Two Towers, the second installment in New Line's film trilogy The Lord Of The Rings....
by Loni Peristere
Since Joss Whedon and I had worked together for six years on Buffy the Vampire Slayer and three years on its spinoff, Angel, it wasn't surprising that he asked me to serve as visual effects supervisor on his new sci-fi show, Firefly....
Michael Goldman
Director Robert Rodriguez and his effects team on Spy Kids 2: The Island of Lost Dreams say they benefited greatly from motion-capture help in building a couple of effects scenes, but not in the usual way....
By Dan Ochiva
Looking forward to the industry's annual premier computer graphics event....
By Ellen Wolff
Forget the The Flintstones. A breakthrough process flawlessly integrates live-action with CG dinosaurs....
By Steve Mullen
This workflow tutorial for DV shooters examines new features in version 3.0. Unless you've been hiding in a cave for the last nine months, you know that...
by Ellen Wolff
Montreal's newest CG house brings big beasts to the small screen with an innovative workflow....