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Next Generation Digital Studio 

By Michael Goldman

Threshold Digital Research Labs' (TDRL) CG feature film, Foodfight!, and the company's five-year effort to become a global, digital animation production studio are both unorthodox endeavors, to say the least.

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An Inside Look at Creating the DVD for Eight Crazy Nights 

To create the DVD master, also slated to be used for other electronic distribution purposes in the future, Sony Pictures Entertainment (SPE), in consultation with Post Logic, decided not to use the interpositive used for the theatrical release....

SplutterFish's Brazil r/s 1.0 

by Chad Ashley, Optimus

Renderers are the hot topic right now. If you spend any time on web boards, you can't read five lines without seeing global illumination, radiosity, or...

Spike Lee's New York 

by Michael Goldman

Although Edward Norton stars in Spike Lee's new film, The 25th Hour, a Buena Vista release, the real star is Lee's beloved city of New York....

The Fabricated World of The Ring 

by Ellen Wolff

There's no shortage of surreal imagery in the DreamWorks release The Ring, but one of the more challenging visual effects scenes doesn't appear to have effects at all....

The Changing Face of Digital Mastering 

By Garrett Smith

The vice president of Digital Mastering Operations at Paramount Pictures and adjunct associate professor in the USC Cinema/TV department Garrett Smith on the past and future of film technology....

The Right Timing 

by Jon Silberg

In theory it's the best of both worlds. Digital mastering allows cinematographers the unmatched flexibility of shooting on film along with the creative control of the telecine suite....

Spec Sheet: CINECITT DIGITAL FILM LAB 

by Dan Ochiva

For decades, Italy's famed Cinecitt (Cinema City) studios have served as a second Hollywood, a favorite for directors ranging from Visconti, Renoir, Fellini,...

The Advance Guard 

Cynthia Wisehart, Editor

When Titanic was in production, I went down to Digital Domain to learn about the digital actors and look at some of the footage. It was one of those times...

Color Control DPs on Digital Intermediate 

by Jon Silberg

Digital mastering for a feature film still comes at a premium. Facilities estimate that today it can add anywhere from $100,000 to $500,000 to a post...

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