Michael Goldman
Facial Motion Capture The role of motion-capture technology in facial animation depends on a wide range of factors: project, budget, medium, resolution,...
Jack Lloyd
Tracking tools are the key to integrating computer graphics and video. Here are a few that can help you tame the CG beast in your next project.Ever since...
Dan Philips
Dan Philips was DreamWorks' digital supervisor on The Road to El Dorado and co-head of effects on The Prince of Egypt. During his five years at the studio's...
Michael Goldman
Motion-capture technology has proliferated in the animation world during the past year. At the same time, expectations have accelerated even faster, especially...
Cynthia Wisehart
Right now, the transfer/color process is one of the most dynamic areas of postproduction and has become a touchstone for new business, technical, and...
Michael Goldman
Has motion-capture technology matured enough to assume a prominent place in the daily animator's tool-box? Chris Walker chuckles at the question. After...
Mike Fallows
Donkey Kong Country (DKC) was the first CGI cartoon series produced primarily with 3D characters rendered in realtime. Medialab created 70 percent of...
Michael Goldman
Director John Lasseter is a pioneer of the computer animation industry, co-director of Disney's new CG film, A Bug's Life, and VP of Pixar Animation Studios....
Jennifer Vacchio
Converse's new sneaker walks onto the scene in a :30 by Houston Herstek Favat, Boston. The commercial is set in a factory run by biomechanical miniature...
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| DCP November 2008 |
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