Related Articles

 The Core Effect 

by Michael Goldman

Paramount's sci-fi disaster movie, The Core, illustrates the “difference between achieving believability and realism” in visual effects, according to Gregory McMurry, visual effects supervisor....

Next Generation Digital Studio 

By Michael Goldman

Threshold Digital Research Labs' (TDRL) CG feature film, Foodfight!, and the company's five-year effort to become a global, digital animation production studio are both unorthodox endeavors, to say the least.

Custom Controls Speed Graphics Production 

By Vincent Serritella
Rhinoceros Visual Effects

You may not be able to fool Mother Nature, but you can change the seasons — if you have the right 3D tools. At Rhinoceros Visual Effects, New York, we discovered this firsthand while using Houdini 5.5 from Side Effects Software on “Snowman,” a commercial spot for GM's Cadillac Division....

Digital Magic in Harry Potter and the Chamber of Secrets 

by Ellen Wolff

A key character in the Harry Potter franchise debuts in Harry Potter and the Chamber Of Secrets, director Chris Columbus' second film in the Warner Bros. series....

An Inside Look at Creating the DVD for Eight Crazy Nights 

To create the DVD master, also slated to be used for other electronic distribution purposes in the future, Sony Pictures Entertainment (SPE), in consultation with Post Logic, decided not to use the interpositive used for the theatrical release....

Spike Lee's New York 

by Michael Goldman

Although Edward Norton stars in Spike Lee's new film, The 25^th Hour, a Buena Vista release, the real star is Lee's beloved city of New York....

SplutterFish's Brazil r/s 1.0 

by Chad Ashley, Optimus

Renderers are the hot topic right now. If you spend any time on web boards, you can't read five lines without seeing global illumination, radiosity, or...

The Fabricated World of The Ring 

by Ellen Wolff

There's no shortage of surreal imagery in the DreamWorks release The Ring, but one of the more challenging visual effects scenes doesn't appear to have effects at all....

The Changing Face of Digital Mastering 

By Garrett Smith

The vice president of Digital Mastering Operations at Paramount Pictures and adjunct associate professor in the USC Cinema/TV department Garrett Smith on the past and future of film technology....

AI Armies 

by Ellen Wolff

It's a scene that likely exceeds the wildest fantasies of Cecil B. DeMille: 70,000 soldiers marching across the screen in director Peter Jackson's The Two Towers, the second installment in New Line's film trilogy The Lord Of The Rings....