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Going Tapeless   

By Michael Goldman

Director David Fincher insists he has deleted videotape from his professional life for good. I've hated tape for a long time all the nonsense that comes...

Unification 

By Cynthia Wisehart

DreamWorks visual effects supervisor Craig Ring noticed it; Dan Grant did, too (though he would as a pipeline guy): The Siggraph conference had not yet...

Products: Avid 

For film workflows that include a DI step, 4:4:4 HD RGB can be a more accessible...

Products: Spectsoft 

Although Linux is an accepted standard for animation and graphics at a number of post houses...

God in HD   

By Cynthia Wisehart

As church leaders understand the expanding role of AV in their ministries, they accumulate a list of skills from event producer to ENG newsgather to niche...

Mark In 

By Dan Ochiva

A bevy of websites concur that Intel is finally back on top with the debut of its Core 2 Duo processors. The microprocessors mark the end of Intel's long-running...

Long-distance Relationship 

By Michael Goldman

Veterans of long-distance collaboration adventures for editing and general postproduction on major projects in recent years emphasize that the umbrella...

Edit Expertise: Saving Time  

By Jan Ozer

One of the most significant advances in Adobe Production Studio 2.0 is Dynamic Link, which enables Encore and Premiere Pro to import unrendered After...

Mark In 

Have you ever found yourself in the middle of a production when you suddenly realized that the amount of information hours of footage, audio, stills,...

Shoot Expertise: Multicam Roundup: Part 2 

By Jan Ozer

In the May issue, I compared the multicam features and usability of Adobe Premiere Pro 2.0, Apple Final Cut Pro 5.1, Avid Xpress Pro HD 5.2.4, and the...

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