Extreme Hours By Marsha Scarbrough
Most film production professionals have stories about working extreme hours. I personally tell tales of a rainy all-nighter in Texas where the crew went...
Dream Job: For Artists, By Artists By Kristinha M. Anding
Michael Masucci feels an acute sense of responsibility to his fellow artists. It's this social consciousness that propelled the former New Yorker, high-end...
Exclusive: By Michael Goldman
Like many intense relationships, Martin Scorsese's love affair with what he fondly calls gangster pictures never quite ends. Occasionally, he moves into...
Stock in the Mosh Pit By Darroch Greer
There is not another film like it anywhere in creation, and if you missed the proto-punk days of the mid-'70s, when glam rock turned incendiary, you can...
Mark In
Unless you've been spending your time under that proverbial rock, you can't have missed the groundswell making networking websites such as YouTube, Facebook,...
Have Server, Will Travel By Michael Goldman
Independent filmmaker Lance Weiler known as something of a self-styled technical iconoclast adopted a guerrilla approach to both making Head Trauma and...
Single File 3D By Michael Goldman
Chicken Little, Monster House, the upcoming re-release of The Nightmare Before Christmas, Meet the Robinsons, and other 3D projects in various stages...
By Michael Goldman
Martin Scorsese and his longtime cinematographer, Michael Ballhaus, ASC, shot Scorsese’s new picture, The Departed, on film, as they always have, and yet, high-definition technology played a centrol role in pulling the entire project together. ...
Mark In
By its very nature, editing is time-consuming. But even more than the hands-on part of the job, the logistics of pulling together all of the interested...
Edit Review: Apple MacBook Pro Reviewer: Jan Ozer
Say what you want about Mac vs. Windows or Adobe Premiere Pro vs. Apple Final Cut Pro, but if you have a pulse, new Apple hardware almost always sends it racing...