By S. D. Katz
Kaydara's Motionbuilder version 5 is a hefty release of the premiere motion capture editing tool...
By S.D. Katz
Step By Step: I, Robot By Ellen Wolff
In bringing I, Robot to the screen for 20th Century Fox, director Alex Proyas held some aces the appeal of actor Will Smith and the visual effects supervision......
A is for Apple and Adobe By S. D. Katz
Adobe After Effects 6.5 Adobe After Effects 6.5, the most widely used motion graphics and effects compositing software, shipped in late May as part of......
Summer of the Supervisors By Michael Goldman
According to John Dykstra, the biggest change in feature film visual effects is change itself. Dykstra, the veteran Sony Pictures Imageworks visual effects designer who recently completed effects for Spider-Man 2, simply means that visual effects teams, thanks to advances in technology, technique, and experience, can not only “produce magic,” but do it at a faster pace, continually incorporating changes up until the eleventh hour and beyond......
Motion Graphics for the Masses By Audrey Doyle
Faster, better, cheaper. This mantra is all too familiar to video producers, who know that being able to create sophisticated, compelling content on increasingly tight schedules and budgets is crucial to remaining competitive. Over the years, software vendors such as Boris FX and Digital Anarchy, among others, have made major inroads in the motion graphics segment of this field by developing......
As always, the SIGGRAPH Exhibition hall is the place to go to see the latest in computer graphics hardware and software tools. Here's a sampling of what......
Step By Step: Van Helsing By Ellen Wolff
Hybrid is a word that's used often in this era of mix-and-match visual effects, but it's an especially apt description of Industiral Light + Magic's work......
On the Virtual Backlot By Michael Goldman
“A continual paradigm shift” is how Sam Nicholson, founder of Stargate Digital, Pasadena, Calif., describes the shift in the visual effects world. “[It] requires the engine to continually go faster, and those of us in this industry to continually reinvent our thinking about what is achievable, and how quickly.” Nicholson points to the 5:30, live-action/CG short film, Digital Odyssey, Stargate Digital made earlier this year as a prototype example of this paradigm shift......
By S. D. Katz
Two of the newest hot-button visual effects technologies are High Dynamic Range Imaging (HDRI) and Image-Based Lighting (IBL). ...
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