By S.D. Katz
There is no shortage of excellent compositing tools on the market, but the two most widely used, Adobe After Effects 6 and Discreet Combustion 3, continue to pile on value at an affordable price...
By Cynthia Wisehart, Editorial Director
One of the hardest things for CG to simulate is the human form. One of the hardest things for videoconferencing and distance learning to simulate is human...
By Chris Williamson Martin Square Productions
Martin Square Productions is a three-person shop in Wellington, New Zealand, handling everything from camera work to compositing. We've gone from just...
By S. D. Katz
Kaydara's Motionbuilder version 5 is a hefty release of the premiere motion capture editing tool...
Building Collateral By Michael Goldman
Dave Canning recalls being extremely up front with director Michael Mann when the director first floated the notion of using the Grass Valley Viper FilmStream...
Step by Step: The Chronicles of Riddick By Ellen Wolff
When Universal Pictures continued the saga of Pitch Black with The Chronicles of Riddick, director David Twohy was again at the helm, with definite designs...
Uncompressed vs. Compressed By Bob Turner
There were several compressed high-definition technologies introduced at NAB 2004. There were also several manufacturers that ridiculed the concept of...
DI Innovations By Michael Goldman
Many of the big effects movies that debuted in the summer of 2004 went through a digital intermediate mastering phase at several prominent facilities around the world. The process is now so common that the use of DI, in and of itself, is no longer news. That said, the industry saw plenty of DI innovations this year. Two of the biggest effects films of the summer illustrate this fact. Spider-Man 2 became the first major studio feature to undergo a...
By S.D. Katz
A is for Apple and Adobe By S. D. Katz
Adobe After Effects 6.5 Adobe After Effects 6.5, the most widely used motion graphics and effects compositing software, shipped in late May as part of......
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