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American Spirits 

By Kristinha M. Anding

Angelique Midthunder knows she's fortunate. The Sante Fe, N.M.-based documentarian has been able to concentrate her career on her passions: representing...

Edit Review: Audio Ease Altiverb 5  

Reviewer: Gary Eskow

Of the many exciting advancements digital audio has given us in the last decade or so, convolution reverb is, in my book, near the top of the list. Convolution...

Mark In 

Challenged by the idea of doing HD production in a place that claims to be the largest domed indoor sports facility in the world? That's what Helifilms...

Painterly Rotoscope 

By Michael Goldman

On his ultra low-budget Sundance feature, Year of the Fish, David Kaplan used rotoscoping techniques over live-action imagery shot with a Sony DSR-PD170...

Chasing the Perfect Pipeline  

By Michael Goldman

The digital post workflow philosophy behind Craig Brewer's new psycho-sexual drama, Black Snake Moan, which premiered at the 2007 Sundance Film Festival,...

Aesthetic Power 

By Jon Silberg

From the grim realities of war to an escape to distant fairylands, no world was too difficult to realize in the five films nominated for the Achievement...

Strange Workflow 

By Craig Erpelding

Mike Belmont (pseudonym M dot Strange) used his self-invented process to create the fully animated Sundance feature, We Are the Strange. Belmont wrote,...

Beta Sight: Autodesk Toxik 2007 

By Phil Brennan Asylum Visual Effects

I've been involved with film and commercial visual effects now for 17 years, and I have been at Asylum Visual Effects since 1999 working on films such...

Fade to Black: Stefen Fangmeier, Director  

By Ellen Wolff

When Stefen Fangmeier prepared to make Eragon, a fantasy featuring a 3,000lb. flying blue dragon, he wasn't concerned about creating a CG star. The dragon...

Digital Déjà Vu 

By S. D. Katz

Previz used to be something you wanted to be the first to turn a director on to, like a great new band or sushi joint. Today, pre-planning on the computer is standard operating procedure...

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