Related Articles

True Colors  

By Michael Goldman

The principal architects for three prominent summer CG animated movies— Ratatouille, Shrek the Third, and Surf's Up—talk with millimeter about the process of designing, building, and executing complicated color palettes for such movies...

Step By Step: The NFL on Fox  

By Ellen Wolff

This promises to be the year of “transformers,” and Fox Sports Graphics and Blur Studios have already made menacing robots work for them. . Fox chose Blur Studio in Venice, Calif. to animate the 3D-CG show opener for its National Football...

Display Tools: TV One 

By Charissa Young

With the 1T-AVPC-HDMI video scaler, TV One makes HDMI conversion one step easier. ...

Video Empowerment 

By Kristinha M. Anding

Mimi Pickering knows what it's like to be given a chance. The documentarian got her first taste of filmmaking in the late 1960s at Appalshop, the multi-disciplinary...

Digital Acrobatics 

By Michael Goldman

At Sony Pictures Imageworks in Culver City, Calif., as work on Spider-Man 3 winds down, many of the key players behind the film’s visual effects extravaganza (just less than 1,000 shots) are finally starting to contemplate life without the spider...

Commercial Calls for Multi-media Recording and Custom Camera System  

When Co-directors, Steve Osborn and Zach Passero of El Paso, Texas-based Tortilla Productions were first approached to produce a commercial campaign for their clients Helen of Troy and TIGI, they knew that one format wasn’t going to be enough to capture the individualism and cutting-edge style that their clients are known for nationwide. ...

Editor's Notes 

By Cynthia Wisehart

One of my favorite things I heard at NAB was the comment that Apple had, with the announcement of ProRes 422, legitimized compression. The implication...

Edit Review: NewTek SpeedEdit  

Reviewer: Tom Patrick McAuliffe

Until recently, most NLE software applications have followed similar workflow protocols. Now a company that helped to invent this industry has come up...

Mark In 

Should your future production plans include video for the Web? The necessary high-speed connections will be there. According to recent Nielsen//NetRatings...

Fade to Black: Olivier Dahan, Director  

By Darroch Greer

"I don't do any storyboard--never," Olivier Dahan says, rather defiantly. I don't work with the script on the shoot or in my hotel room. I don't plan everything....