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HD Assist for Scorsese 

By Michael Goldman

Martin Scorsese and his longtime cinematographer, Michael Ballhaus, ASC, shot Scorsese’s new picture, The Departed, on film, as they always have, and yet, high-definition technology played a centrol role in pulling the entire project together. ...

Edit Review: Apple MacBook Pro  

Reviewer: Jan Ozer

Say what you want about Mac vs. Windows or Adobe Premiere Pro vs. Apple Final Cut Pro, but if you have a pulse, new Apple hardware almost always sends it racing...

Mark In 

By its very nature, editing is time-consuming. But even more than the hands-on part of the job, the logistics of pulling together all of the interested...

SR Tape DI Alternative 

By Dan Ochiva

With the introduction of Sony's 4:4:4 RGB HDCAM SR recorder in 2003, the take on tape changed it was no longer yesterday's format. The post industry became...

Products: Avid 

For film workflows that include a DI step, 4:4:4 HD RGB can be a more accessible...

HD Religion 

By Cynthia Wisehart

After all the so-called religious battles over film vs. HD (to borrow a quote from Larry Thorpe (or was that Oscar Wilde?), it seems appropriate to see...

Shoot Expertise: The Filmmaker's Codec  

By Barry Braverman

In the beginning, it was known as FutureSplash, the product of a small startup that had come up with a way to deliver animation to dog-slow computers...

Shoot Review: Google SketchUp Pro 5  

Reviewer: S.D. Katz

Combining traditional drawing and 3D modeling has been the goal of many CG developers since the '80s. This has produced interesting haptic devices and...

Edit Review: Red Giant Instant HD 1.0  

Reviewer: S.D. Katz

We have all upscaled images in Adobe Photoshop, Autodesk Combustion, or other image editors, so we expect enlarging PAL or NTSC footage to HD to produce...

Edit Review: Canopus ADVC700  

Reviewer: Tom Patrick McAuliffe

Like many of you, I cut my teeth in the video business more years ago than I care to remember. But I do remember threading up a 3/4in. video tape recorder,...