By Michael Goldman
Martin Scorsese and his longtime cinematographer, Michael Ballhaus, ASC, shot Scorsese’s new picture, The Departed, on film, as they always have, and yet, high-definition technology played a centrol role in pulling the entire project together. ...
Edit Review: Apple MacBook Pro Reviewer: Jan Ozer
Say what you want about Mac vs. Windows or Adobe Premiere Pro vs. Apple Final Cut Pro, but if you have a pulse, new Apple hardware almost always sends it racing...
Mark In
By its very nature, editing is time-consuming. But even more than the hands-on part of the job, the logistics of pulling together all of the interested...
SR Tape DI Alternative By Dan Ochiva
With the introduction of Sony's 4:4:4 RGB HDCAM SR recorder in 2003, the take on tape changed it was no longer yesterday's format. The post industry became...
By Cynthia Wisehart
After all the so-called religious battles over film vs. HD (to borrow a quote from Larry Thorpe (or was that Oscar Wilde?), it seems appropriate to see...
Shoot Expertise: The Filmmaker's Codec By Barry Braverman
In the beginning, it was known as FutureSplash, the product of a small startup that had come up with a way to deliver animation to dog-slow computers...
Reviewer: S.D. Katz
Combining traditional drawing and 3D modeling has been the goal of many CG developers since the '80s. This has produced interesting haptic devices and...
Reviewer: S.D. Katz
We have all upscaled images in Adobe Photoshop, Autodesk Combustion, or other image editors, so we expect enlarging PAL or NTSC footage to HD to produce...
Reviewer: Tom Patrick McAuliffe
Like many of you, I cut my teeth in the video business more years ago than I care to remember. But I do remember threading up a 3/4in. video tape recorder,...
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| DCP November 2008 |
DCP October 2008 |
Millimeter Sept/Oct 2008 |
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DCP August 2008 |
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