Webcast: Multi-format Tapeless Workflow
Sep 4, 2008 12:00 PM
So you've shot your production 60p and 24p with the Red Camera (at 2K, 4K and 120fps), the Sony XDCAM and HDCAM, Panasonic HVX200 and grabbed some 24f POV on a Canon HV30. Based on a real-life shoot, this webcast offers insight into ways to insure that tapeless assets will move smoothly from production through desktop-based post production. With an emphasis on pre-production, topics covered include best practices for mixing frame rates and formats, scaling, conversion and more.
Featuring a look at the new support for editing Red footage in Premiere Pro CS3.
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