Tapeless Field Production: New Developments and Best Practices
Issues we’ll explore are the ramifications of the various MXF formats from P2 to XDCAM, the rise of BUS-powered devices and support for Firewire and USB, ...
The Changing role of IT Video Production Systems for Universities, Churches, and Schools
This webcast will explore the way IT technologies and techniques are changing how video production is done in the houses of worship and academic markets....
Streaming for Video Pros: Producing streaming video with Final Cut Pro and Compressor.
Apple Final Cut Studio is an outstanding video editor, and Compressor is highly capable, but inter-program workflows can be confusing to say the least. Found out more about them in this webcast...
Cost-effective Rich Media Content Creation IT Infrastructure Primer
Storage and network integrator Jeff Elterman has many years of experience and will tie together the disparate requirements of ...
Sub-$1,000 Encoder Shootout
This webcast compares the VP6, H.264 and VC-1 output quality of sub-$1,000 batch encoding tools ...
Producing H.264 Video for On-Demand Delivery
This webcast starts with an overview of the H.264 standard, and then discusses the significance of common encoding parameters like Profile, Level and B-frames. ...
Webcast: Multi-format Tapeless Workflow
Based on a real-life shoot, this webcast offers insight into ways to insure that tapeless assets will move smoothly from production through desktop-based post production...
Webcast: Streaming for Video Pros: Flash vs. Silverlight
Although Silverlight has been around for awhile, it’s still hard to pin down. Is it a player, platform or both? Does it replace or coexist with Flash and why and when would you want to use it? ...
Related Webcast: Using Networked Devices to Maintain, Operate, and Secure Video Production Servers
The much heralded IT/AV convergence is part of a three-way trend between those two industries and the broadcast video production business, since video servers have been installed virtually everywhere that professional video production is done...
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| Millimeter June 2009 |
Millimeter May 2009 |
Millimeter April 2009 |
DCP March 2009 |
DCP February 2009 |
Millimeter Jan/Feb 2009 |
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