True Colors By Michael Goldman
The principal architects for three prominent summer CG animated movies— Ratatouille, Shrek the Third, and Surf's Up—talk with millimeter about the process of designing, building, and executing complicated color palettes for such movies...
NAB 2007 Pick Hit Awards By Trevor Boyer
Is there a Moore's Law equivalent for camcorders? Whatever it might be, NAB 2007 displayed its hypothetical fruits. We saw a working model of Red Digital...
Video Empowerment By Kristinha M. Anding
Mimi Pickering knows what it's like to be given a chance. The documentarian got her first taste of filmmaking in the late 1960s at Appalshop, the multi-disciplinary...
NAB 2007 By D. W. Leitner, Jan Ozer, Dan Ochiva, and Jeff Sauer
This Year's NAB hosted 108,232 attendees from 141 countries around the world at the Las Vegas Convention Center between April 14 and April 19. With all...
Digital Acrobatics By Michael Goldman
At Sony Pictures Imageworks in Culver City, Calif., as work on Spider-Man 3 winds down, many of the key players behind the film’s visual effects extravaganza (just less than 1,000 shots) are finally starting to contemplate life without the spider...
Editing the V1's 24p in Final Cut Pro: A Workaround By Steve Mullen
This installment of HDV@Work details a workaround for Final Cut Pro users. Steve Mullen also provides an alternate workaround ......
Post NAB 2007: After All the Gifts Have Been Opened
In the days following NAB, I wind up with the same mixed feelings I had as a child on Christmas night. This year was no different....
Edit Review: NewTek SpeedEdit Reviewer: Tom Patrick McAuliffe
Until recently, most NLE software applications have followed similar workflow protocols. Now a company that helped to invent this industry has come up...
Mark In
Should your future production plans include video for the Web? The necessary high-speed connections will be there. According to recent Nielsen//NetRatings...
New DI Pipeline By Michael Goldman
Spider-Man 3 was, of course, a huge digital effects project. Significantly, it was also Technicolor Digital Intermediates (TDI)'s first 4K DI project, executed at its new facility on the Sony lot in Culver City, Calif....
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