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By Michael Goldman

The principal architects for three prominent summer CG animated movies— Ratatouille, Shrek the Third, and Surf's Up—talk with millimeter about the process of designing, building, and executing complicated color palettes for such movies...

NAB 2007 Pick Hit Awards 

By Trevor Boyer

Is there a Moore's Law equivalent for camcorders? Whatever it might be, NAB 2007 displayed its hypothetical fruits. We saw a working model of Red Digital...

Video Empowerment 

By Kristinha M. Anding

Mimi Pickering knows what it's like to be given a chance. The documentarian got her first taste of filmmaking in the late 1960s at Appalshop, the multi-disciplinary...

NAB 2007 

By D. W. Leitner, Jan Ozer, Dan Ochiva, and Jeff Sauer

This Year's NAB hosted 108,232 attendees from 141 countries around the world at the Las Vegas Convention Center between April 14 and April 19. With all...

Digital Acrobatics 

By Michael Goldman

At Sony Pictures Imageworks in Culver City, Calif., as work on Spider-Man 3 winds down, many of the key players behind the film’s visual effects extravaganza (just less than 1,000 shots) are finally starting to contemplate life without the spider...

Editing the V1's 24p in Final Cut Pro: A Workaround 

By Steve Mullen

This installment of HDV@Work details a workaround for Final Cut Pro users. Steve Mullen also provides an alternate workaround ......

Post NAB 2007: After All the Gifts Have Been Opened 

In the days following NAB, I wind up with the same mixed feelings I had as a child on Christmas night. This year was no different....

Edit Review: NewTek SpeedEdit  

Reviewer: Tom Patrick McAuliffe

Until recently, most NLE software applications have followed similar workflow protocols. Now a company that helped to invent this industry has come up...

Mark In 

Should your future production plans include video for the Web? The necessary high-speed connections will be there. According to recent Nielsen//NetRatings...

New DI Pipeline 

By Michael Goldman

Spider-Man 3 was, of course, a huge digital effects project. Significantly, it was also Technicolor Digital Intermediates (TDI)'s first 4K DI project, executed at its new facility on the Sony lot in Culver City, Calif....

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