Edit Review — Ableton Live 5 By Franklin McMahon
I have used every version of Ableton's Live since 1.0, and it rocks. As an expressive artist's tool, it can't be beat for letting producers create great music out of a few basic clips and some effects. However, Live 5 may be a little different...
By Michael Goldman
O Entertainment of San Clemente, Calif., recently created a new iteration of the project formerly known as Santa Claus Versus the Snowman using Adobe Premiere...
By Michael Goldman
The documentary My Date with Drew mocks the notion that ultra-low production values will inhibit getting your movie a major theatrical release...
Legato's Laboratory By Michael Goldman
Rob Legato ignores the African elephant lumbering past his Ford SUV during the brief ride up a dusty mountain road leading from to Legato wants to get...
By Steve Mullen
At NAB 2004, AJA Video Systems introduced its second-generation Kona product, the Kona 2. It is a PCI capture board designed primarily for HD-SDI transfer...
Power Marketing By Frank McMahon
Marketing is something we deal with on a weekly basis, or at least something we all should be dealing with regularly. Many times, when we get busy with clients, marketing consists of simply throwing together a website and creating business cards. But marketing yourself should be an ongoing quest that requires constant involvement. It doesn't matter...
Edit Review — M-Audio FireWire Solo, Keystation Pro 88, Ableton Live 5 By Gary Eskow
This month I'll take a look at three products marketed by M-Audio, a company that has created a niche for itself by manufacturing...
By Tom Patrick McAuliffe
Today's software tools have made great strides toward providing video makers with low-cost tools that deliver professional-level results. Often, however,...
Step by Step: By Ellen Wolff
When Universal Pictures gave writer/director Joss Whedon the chance to turn his TV...
Apple Xsan and ADIC StorNext By Rich Shurtliff and Sang-Jin Bae
Curious Pictures
Curious Pictures recently took on a new TV production series for Disney and needed to overhaul its IT infrastructure to keep up with the demanding production schedule. Our production pipeline is built to create, produce, and deliver a TV production series on a weekly basis. Our production team works on at least 10 episodes for a Disney TV series at any one time, with one to air each week. We rely on our data pipeline......
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