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By Bill Miller

Their names are Tuffy, Turnbuckle, Double-D, and G-Rod. These aren't the bulls of the Professional Bull Riders (PBR) ...

Step by Step: The Golden Compass  

By Ellen Wolff

A photoreal polar bear wearing elaborate armor is a signature image in director Chris Weitz's fantasy film for New Line Cinema, The Golden Compass (recently...

Edit Review: Digital Anarchy ToonIt 

Reviewer: Franklin McMahon

When I initially heard about ToonIt — the software plug-in that simulates a cartoon feel similar to the effects seen in movies such as Waking Life and A Scanner Darkly — I couldn't help but feel slightly blasé...

Edit Review: Autodesk Combustion 2008 

Review: Franklin McMahon

Autodesk Combustion is one of my favorite desktop compositing programs. In my experience, it's well built for realtime results, expertly using OpenGL to provide a fast and responsive creation environment...

Monstrous Task 

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The poster for Paramount Pictures' Cloverfield depicts the Statue of Liberty standing headless, following a monster's attack on New York City...

Integrating DV Source Footage into HDV Projects, Part 2 

By Jan Ozer

This month, I take on the daunting task of scaling DV footage to HDV for inclusion in high definition projects. In our last installment, I described what you need to know to produce high-quality results; in this edition, I share the results obtained with Adobe Premiere Pro and Apple Final Cut Pro...

Integrating DV Source Footage into HDV Projects, Part 1 

By Jan Ozer

Sooner or later, if you're an HDV shooter, you'll need to use DV source footage in one of your high-def productions. It could be a multicamera shoot with mixed DV/HDV equipment, or inserting SD B-roll into your HDV project. But sooner or later, it'll happen, and then you'll be facing two basic questions...

Mark In  

What if you could color control your video project to get just about any result you desire — even while pulling off specialized work such as tracking, which would allow you to replace parts of an image with something entirely different just like a Hollywood feature...

Edit Expertise: Test Drive: HP xw4600  

By Jan Ozer

The HP xw4600 workstation, configured with the new 3.0 GHz Intel Core 2 Extreme QX6850 (quad-core) processor, hits a real sweet spot for Adobe and Sony video editing applications. For other digital content-creation tasks, performance depended upon both application and project type, but we'll get to that in a moment...

Edit Review: Autodesk 3ds Max 2008  

Reviewer: Franklin McMahon

Autodesk continues to advance the 3D program 3ds Max, now 3ds Max 2008. This new version focuses less on amazing new features and much more on performance and workflow. If you've used Max, you know the power was already there to do just about anything...

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