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Contrasting Colors 

By Michael Goldman

Color grading was crucial for both King Kong and Munich, but radically different approaches exemplify the "traditional versus digital" debate. Peter Jackson's King Kong and Steven Spielberg's Munich basically have just two things in common. First, they are two of the most high-profile and important films to come out in late 2005, and second, both relied extensively on carefully crafted color schemes designed to help achieve creative goals and impact audiences emotionally....

Edit Review — Autodesk 3ds Max 8 

By Frank McMahon

Autodesk (formerly Discreet) brings out a much-welcomed new version of its flagship animation system for desktops, 3ds Max 8. While the news of Autodesk...

Edit Review — Macromedia Studio 8 

By Frank McMahon

The merger with Adobe has not diminished the push for advanced software from Macromedia. The division has created one of its biggest updates yet in Studio 8, with a range of new features. The suite contains Flash Professional 8, Dreamweaver 8, and Fireworks 8, as well as Contribute 3 and FlashPaper 2. Macromedia Freehand is not around this time, but the company is reportedly still going to keep it on a development cycle. Much of the cool stuff is in the new Flash...

Dylan's Pipeline 

By Michael Goldman

Martin Scorsese's recent documentary No Direction Home: Bob Dylan, was "one of the more challenging multi-format jobs we have ever dealt with," says Ben...

Walter Murch’s HD View 

By Michael Goldman

RenderMan for Maya 

By John Monos

In the late 80s, the RenderMan standard was born, describing a series of rules and specifications for creating a 3D scene. Through the RenderMan Interface...

Edit Review — Microsoft Virtual PC 7 

By Tom Patrick McAuliffe

Now, I don't want to start an opinion war or anything when it comes to discussing which is better, the PC or Apple Macintosh, that's a fairly easy thingto do. Each computer platform has its advantages and its ardent users...

Edit Review — Apple Motion 2 

By Frank McMahon

Apple continues to refine and advance its motion graphics and compositing program Motion with version 2.0. Motion's hook is that just about everything happens in realtime, and for many media artists...

Step by Step: Jarhead 

By Ellen Wolff

Sam Mendes, the Academy Award-winning director of American Beauty, is hardly associated with visual effects, but he needed them to create Jarhead for...

Compressed DI 

By Michael Goldman

O Entertainment of San Clemente, Calif., recently created a new iteration of the project formerly known as Santa Claus Versus the Snowman using Adobe Premiere...