By Michael Goldman
For filmmakers, one problem resulting from the con- troversies surrounding The Da Vinci Code involved being shut out of certain locations central to the...
Digital Plastic Surgery By Michael Goldman
From a visual effects standpoint, X-Men: The Last Stand may be the most complex X-Men film yet. In fact, visual effects supervisor John Bruno says the...
Multitasking Hero By Blair Jackson
The relationship between a director and his or her editor is a special one in a real sense, it is those two people who give shape, rhythm, and coherence...
Strong Showing By Jan Ozer
If you haven't seriously considered Adobe Encore DVD in a while, it's time to take another look. The most recent update has catapulted Encore DVD 2.0...
Multicam Roundup: Part 1 By Jan Ozer
Most video producers would agree you can't be too skinny, too rich, or have too many camera angles. Though multicamera shoots can be a logistical challenge,...
Mark In
As computer technology has become more deeply a part of production and postproduction over the past few years, it's become apparent that major trends...
Edit Review: Adobe Audition 2.0 Reviewer: Franklin McMahon
Audition 2.0, the latest version of Adobe's multitrack audio editor, finally shakes off its Cool Edit Pro roots with a spiffy new professional interface,...
Edit Review: Apple iLife '06 Reviewer: Franklin McMahon
Apple's goal of bringing professional features to everyday consumers may have you wondering, can you still use iLife 06 if you are a pro? Absolutely....
Shoot Review: Datavideo SE-800 Reviewer: Tom Patrick McAuliffe
In television and video production, gone are the days of simply switching between two sources. Our viewers expect more than that. The switcher is the...
A New Premiere By Jan Ozer
Unless you've been under a rock for the last few months, you've undoubtedly heard about the high-profile new features in Adobe Premiere Pro 2.0. These include the new clutter-free interface, four-camera multicam editing, DVD ...
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