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CineForm Neo3D 

By Dan Ochiva

Ever since its first software product in 2003 supporting HDV editing, CineForm has enjoyed portraying itself as a small company that can deliver specialized compression code...

Avid Unity, Isis updates 

By Dan Ochiva

At NAB Show 2009, you had to see it coming. Avid, now back on the show floor after a year's absence, acknowledged production realities by announcing its enterprise Unity MediaNetwork and Isis storage systems will now play well with arch rival Apple's Final Cut Pro (FCP) editing system...

1 Beyond Wrangler 

By Dan Ochiva

With more tapeless camera and camcorder systems going on location, figuring out an all-in-one method to back up the profusion of solid-state formats is becoming critical...

Fast Forward Video Elite HD 

By Dan Ochiva

On-camera DVRs are adding capabilities that enable new types of production. Fast Forward Video’s Elite HD already drew attention...

Bright Systems BrightDrive G2 

By Dan Ochiva

Who needs a new file system format? Bright Systems thinks you do, and it introduced its BrightDrive G2 file-based recording system at NAB Show 2009...

Automatic Duck Media Copy 2.0 

By Dan Ochiva

In a world of competing formats and NLEs, you would think it would be more straightforward to move and otherwise transfer files between the existing products...

EditShare Complete Collaboration  

By Dan Ochiva

At NAB Show 2009, EditShare pushed out the second iteration of its Complete Collaboration product line (media acquisition, sharing, storage, and archiving products)...

Media Distributors The Archive Station 

By Dan Ochiva

As more camcorders move to solid-state recording, better solutions for in-the-field backup deserve consideration...

Alesis MasterControl  

By Dan Ochiva

If you’re starting to move beyond minimal audio post with its occasional sound tweaking and cleanup, it might be a good time to consider moving beyond the mouse...

Boris FX Boris Continuum Complete 6 

By Dan Ochiva

While it's common to think of a facility standardizing on one or another NLE or compositing programs, visual-effects plug-in decisions are often left up to the discretion of editors...

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