Shoot Review K-Tek K-102 boom pole By Tom Patrick McAuliffe
With the growing popularity of surround-sound systems, it's increasingly important for video professionals to deliver pristine audio. An unsung hero of the on-location team — the boom operator — fills a position that's vital to capturing good audio. Camera-mounted mics might be adequate for general ambiance...
By Gary Eskow
Once upon a time, an evening's television drama might have centered around a cast of Shakespearean actors performing a classic play. These days, though,...
By David John Farinella
Cinema commercials are not only controversial, but they also present new challenges to audio professionals. Extra Mile, a new campaign for Hyundai's Sonata,...
Audio on Track By David John Farinella
Most corporate videos aren't likely to draw legions of fans for midnight screenings any time soon. Yet, in their own way, corporate productions can be every bit as influential as a typical big-budget summer blockbuster....
DAW vs. DAW By Gary Eskow
As a video professional, you may be adding a digital audio workstation to your facility soon. With the advances in computer hardware and the glut of powerful audio software solutions on the market, audio post might be a viable new business opportunity for your company...
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| DCP November 2008 |
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Millimeter Sept/Oct 2008 |
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