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Edit Review — M-Audio FireWire Solo, Keystation Pro 88, Ableton Live 5  

By Gary Eskow

This month I'll take a look at three products marketed by M-Audio, a company that has created a niche for itself by manufacturing...

Recording Reality 

By Gary Eskow

Once upon a time, an evening's television drama might have centered around a cast of Shakespearean actors performing a classic play. These days, though,...

Cinema Commercial Mix 

By David John Farinella

Cinema commercials are not only controversial, but they also present new challenges to audio professionals. Extra Mile, a new campaign for Hyundai's Sonata,...

Shoot Review — K-Tek K-102 boom pole 

By Tom Patrick McAuliffe

With the growing popularity of surround-sound systems, it's increasingly important for video professionals to deliver pristine audio. An unsung hero of the on-location team — the boom operator — fills a position that's vital to capturing good audio. Camera-mounted mics might be adequate for general ambiance...

Audio on Track 

By David John Farinella

Most corporate videos aren't likely to draw legions of fans for midnight screenings any time soon. Yet, in their own way, corporate productions can be every bit as influential as a typical big-budget summer blockbuster....

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