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JVC GY-HM100U Hands-on
Jan 21, 2010, Digital Content Producer, By Bill Miller
A veteran camera operator takes the JVC GY-HM100U for a spin.

JVC GY-HM100U Hands-on
Jan 21, 2010, Digital Content Producer, By Bill Miller
A veteran camera operator takes the JVC GY-HM100U for a spin.

Nominations Announced for the 7th Annual Visual Effects Society Awards
Jan 19, 2009, Digital Content Producer

Hot Shot | Producing interactive television for NASCAR HotPass.
Nov 01, 2008, Digital Content Producer, Story by Bill Miller
Photos by David Egy

For 36 weeks during the race season, DirecTV’s NASCAR HotPass assigns production teams to four of the top drivers. Viewers get to choose which channel to watch, or they can flip back and forth during the race. It’s truly where the future of telecasting is going, giving the audience more choices to select exactly what they want to watch. Read on for a behind-the-scenes look at creating the telecast, which is shown on four channels in both SD and HD.

Hot Shot | Producing interactive television for NASCAR HotPass.
Nov 01, 2008, Digital Content Producer, Story by Bill Miller
Photos by David Egy

For 36 weeks during the race season, DirecTV’s NASCAR HotPass assigns production teams to four of the top drivers. Viewers get to choose which channel to watch, or they can flip back and forth during the race. It’s truly where the future of telecasting is going, giving the audience more choices to select exactly what they want to watch. Read on for a behind-the-scenes look at creating the telecast, which is shown on four channels in both SD and HD.

Hot Shot | Producing interactive television for NASCAR HotPass.
Nov 01, 2008, Digital Content Producer, Story by Bill Miller
Photos by David Egy

For 36 weeks during the race season, DirecTV’s NASCAR HotPass assigns production teams to four of the top drivers. Viewers get to choose which channel to watch, or they can flip back and forth during the race. It’s truly where the future of telecasting is going, giving the audience more choices to select exactly what they want to watch. Read on for a behind-the-scenes look at creating the telecast, which is shown on four channels in both SD and HD.

Digital Content Producer November 2008
Nov 01, 2008, Digital Content Producer

Common Goal | Farm Aid unites performers and production crew for a 7-hour telecast.
Oct 01, 2008, Digital Content Producer, Story and photos by Bill Miller
A team numbering in the hundreds has gathered in Mansfield, Mass., for the 7-hour live telecast of Farm Aid, which will be viewed by millions on DirecTV Entertainment’s 101 Network as well as online at www.farmaid.org. The goal for the concert is to raise awareness about the loss of family farms and to raise funds to keep farm families operating. Each year, top-name performers as well as the next generation of hit makers donate their musical talents for the cause. Take a front-row seat as Bill Miller tracks the broadcast from setup to distribution on a 12-hour day for the crew.

Common Goal | Farm Aid unites performers and production crew for a 7-hour telecast.
Oct 01, 2008, Digital Content Producer, Story and photos by Bill Miller
A team numbering in the hundreds has gathered in Mansfield, Mass., for the 7-hour live telecast of Farm Aid, which will be viewed by millions on DirecTV Entertainment’s 101 Network as well as online at www.farmaid.org. The goal for the concert is to raise awareness about the loss of family farms and to raise funds to keep farm families operating. Each year, top-name performers as well as the next generation of hit makers donate their musical talents for the cause. Take a front-row seat as Bill Miller tracks the broadcast from setup to distribution on a 12-hour day for the crew.

Common Goal | Farm Aid unites performers and production crew for a 7-hour telecast.
Oct 01, 2008, Digital Content Producer, Story and photos by Bill Miller
A team numbering in the hundreds has gathered in Mansfield, Mass., for the 7-hour live telecast of Farm Aid, which will be viewed by millions on DirecTV Entertainment’s 101 Network as well as online at www.farmaid.org. The goal for the concert is to raise awareness about the loss of family farms and to raise funds to keep farm families operating. Each year, top-name performers as well as the next generation of hit makers donate their musical talents for the cause. Take a front-row seat as Bill Miller tracks the broadcast from setup to distribution on a 12-hour day for the crew.

Digital Content Producer October 2008
Oct 01, 2008, Digital Content Producer

SD Endurance | How live TV coverage keeps pace with the Boston Marathon.
May 01, 2008, Digital Content Producer, Story and photos by Bill Miller
Thanks to RF technology, covering the Boston Marathon has become easier in the 19 years that Bruce Treut of the Green Line Group has been directing the live television show. Read on for a complete account of the production, which involves Panasonic and Sony cameras set up on motorcycles and pickup trucks to capture the race.

SD Endurance | How live TV coverage keeps pace with the Boston Marathon.
May 01, 2008, Digital Content Producer, Story and photos by Bill Miller
Thanks to RF technology, covering the Boston Marathon has become easier in the 19 years that Bruce Treut of the Green Line Group has been directing the live television show. Read on for a complete account of the production, which involves Panasonic and Sony cameras set up on motorcycles and pickup trucks to capture the race.

SD Endurance | How live TV coverage keeps pace with the Boston Marathon.
May 01, 2008, Digital Content Producer, Story and photos by Bill Miller
Thanks to RF technology, covering the Boston Marathon has become easier in the 19 years that Bruce Treut of the Green Line Group has been directing the live television show. Read on for a complete account of the production, which involves Panasonic and Sony cameras set up on motorcycles and pickup trucks to capture the race.

Digital Content Producer May 2008
May 01, 2008, Digital Content Producer

Rough Ride | Behind the scenes with the Versus HD production crew.
Feb 01, 2008, Digital Content Producer, By Bill Miller
Their names are Tuffy, Turnbuckle, Double-D, and G-Rod. These aren’t the bulls of the Professional Bull Riders; they are crew members of the Versus television team. Follow the dedicated crew of men and women who get the show on the air, week after week, in high definition.

Rough Ride | Behind the scenes with the Versus HD production crew.
Feb 01, 2008, Digital Content Producer, By Bill Miller
Their names are Tuffy, Turnbuckle, Double-D, and G-Rod. These aren’t the bulls of the Professional Bull Riders; they are crew members of the Versus television team. Follow the dedicated crew of men and women who get the show on the air, week after week, in high definition.

Rough Ride | Behind the scenes with the Versus HD production crew.
Feb 01, 2008, Digital Content Producer, By Bill Miller
Their names are Tuffy, Turnbuckle, Double-D, and G-Rod. These aren’t the bulls of the Professional Bull Riders; they are crew members of the Versus television team. Follow the dedicated crew of men and women who get the show on the air, week after week, in high definition.

Rough Ride | Behind the scenes with the Versus HD production crew.
Feb 01, 2008, Digital Content Producer, By Bill Miller
Their names are Tuffy, Turnbuckle, Double-D, and G-Rod. These aren’t the bulls of the Professional Bull Riders; they are crew members of the Versus television team. Follow the dedicated crew of men and women who get the show on the air, week after week, in high definition.

Digital Content Producer February 2008
Feb 01, 2008, Digital Content Producer

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