Exclusive: The Real Deal 

By Darroch Greer

Those who have faithfully followed every version of Blade Runner will be heartened to know that through the magic of digital film restoration, it has...

Restoration Issues 

By Michael Goldman

The importance of restoring feature films has never been more pressing than it is today, as classic films age and new digital restoration, storage, and...

Four Decades On 

By Blair Jackson

One by one, it seems, the great cinema spectacles of the 1950s and 1960s are being revived and restored for new generations of film fans. Although there...

HD Banditos 

By Craig Erpelding

Three years ago, after the completion of the film Dust to Glory, a few of the participating content producers for the project found themselves so like-minded about technology, production, postproduction, and distribution, that they decided—on the idea of director Mike "Mouse" McCoy—to start not so much a production company, but an identity....

Aerial HD 

By Michael Goldman

Earlier this year, filmmaker Brian J. Terwilliger earned attention for his independent HD feature called “One Six Right: The Romance of Flying”—a tribute to the Van Nuys, Calif., municipal airport and the art of small plane aviation. ...

Field Testing the Panasonic AG-HPX500 

By Craig Erpelding

As previously reported and discussed by Panasonic at its NAB presentation this year, the company has been aggressively promoting the use of its P2 solid state memory cards and camcorders...

Sony Pictures Imageworks Selects Mental Images’ Mental Ray 

Mental Images announced a multi-year software license and custom support agreement that will provide Sony Pictures Imageworks with Mental Ray rendering software...

True Colors  

By Michael Goldman

The principal architects for three prominent summer CG animated movies— Ratatouille, Shrek the Third, and Surf's Up—talk with millimeter about the process of designing, building, and executing complicated color palettes for such movies...

Step By Step: The NFL on Fox  

By Ellen Wolff

This promises to be the year of “transformers,” and Fox Sports Graphics and Blur Studios have already made menacing robots work for them. . Fox chose Blur Studio in Venice, Calif. to animate the 3D-CG show opener for its National Football...

Digital Acrobatics 

By Michael Goldman

At Sony Pictures Imageworks in Culver City, Calif., as work on Spider-Man 3 winds down, many of the key players behind the film’s visual effects extravaganza (just less than 1,000 shots) are finally starting to contemplate life without the spider...