By Cynthia Wisehart
DreamWorks visual effects supervisor Craig Ring noticed it; Dan Grant did, too (though he would as a pipeline guy): The Siggraph conference had not yet...
Remembering CG Pioneer Bill Kovacs By Ellen Wolff
On June 4, 2006, a milestone was marked on the Santa Barbara, Calif., waterfront: the 22nd anniversary of the founding of Wavefront Technologies. Sadly,...
By Darroch Greer
While Davis Guggenheim's film An Inconvenient Truth will leave no doubt that global warming is a catastrophe in the making, the director himself was a...
By Michael Goldman
The 45-minute IMAX film Magnificent Desolation: Walking on the Moon 3D uses footage of actors portraying NASA moon explorers. Sassoon Film Design, Santa...
Genesis Green By Michael Goldman
On June 30, Superman Returns will no doubt steal the focus from another technologically significant film that debuts that day. Like DP Newton Thomas Sigel,...
Digital Plastic Surgery By Michael Goldman
From a visual effects standpoint, X-Men: The Last Stand may be the most complex X-Men film yet. In fact, visual effects supervisor John Bruno says the...
By Michael Goldman
For filmmakers, one problem resulting from the con- troversies surrounding The Da Vinci Code involved being shut out of certain locations central to the...
By Cynthia Wisehart
I was pretty sure in 2002 that Jim Jannard would eventually try to build a camera. He collected them and used them himself; his company, Oakley, had an...
By Cynthia Wisehart
It had to be Brokeback Mountain. The movie that mainstreamed gay cowboy love ushers in the era of Hollywood movie downloads sort of. Just as Hollywood...
| BROWSE ISSUES | |||||||
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
||
| DCP November 2008 |
DCP October 2008 |
Millimeter Sept/Oct 2008 |
DCP September 2008 |
DCP August 2008 |
Millimeter Jul/Aug 2008 |
||