By Michael Goldman
Veteran sound designer Leslie Shatz says he was shocked and floored when he learned he had been honored for his minimalist sound design work on Gus Van...
Fade to Black: By Darroch Greer
Werner Herzog's reputation precedes him as a mythopoeic filmmaker who overcomes obstacles of his own devising to capture the grotesque and the sublime...
By Michael Goldman
This year, American Idol became, among other things, the poster child for Avid's DNHD codec and its application in broadcast postproduction. That happened...
Rodriguez and 3D Post By Michael Goldman
Robert Rodriguez says that even as production of Shark Boy and Lava Girl in 3D entered the 11th hour, he decided to make a major change in the postproduction...
By Michael Goldman
The Cave, which premieres in August, is a horror film chock full of creature-oriented visual effects (250 shots), but the workflow was anything but typical....
By Cynthia Wisehart
My almost-three-year-old laughed out loud as we passed the J.L. Fisher booth and the huge jib arm with the happy face swung down and brushed her on the...
By Michael Goldman
When director Tom Zuber approached DP Lisa Wiegand to shoot a low-budget (less than $1 million) feature called Little Athens, they first discussed shooting...
Fade to Black: By Darroch Greer
To see one of Arnaud Desplechin's films is to experience life at the tipping point, yet know you are in safe hands. His latest, Kings...
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