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It Came from the Third Dimension

By Michael Goldman

By the time Jeffrey Katzenberg announced last year that DreamWorks Animation would forevermore author all of its computer-animated feature films in a native 3D format (dubbed InTru 3D and developed in partnership with Intel), Monsters vs. Aliens was well into development as a 2D project...


VDS Synapse Neurons

You have to hand it to Quantel: Whether the economy is good or bad, for the past 30 years, the company has kept its position as one of the players at the top of high-end postproduction...


Cintel diTTo evolution and imageMill2

If film is to remain viable, moving images from film negative to digital data needs to keep up with the latest technology. In comments prior to NAB Show 2009, Cintel says that it is doing just that...


Red Giant Software ToonIt 2 and Key Correct Pro 1.1

Smaller companies enjoy shows such as NAB because the foot traffic and press coverage make it ideal for new product introductions...


It Came from the Third Dimension

By the time Jeffrey Katzenberg announced last year that DreamWorks Animation would forevermore author all of its computer-animated feature films in a native 3D format (dubbed InTru 3D and developed in partnership with Intel), Monsters vs. Aliens was well into development as a 2D project...


Step by Step: Watchmen

Phantasmagorical effects abound in Warner Bros.’ Watchmen, which isn’t surprising given its origin as a graphic novel about superheroes. But alongside the film’s otherworldly visual effects...


Dr. Manhattan Project

Whenever embarking upon the creation of a spectacular smorgasbord of visual craziness in a major feature film as Director Zack Snyder describes the visual...


Digital Puppeteers

Stop-motion animation and stereoscopy aren't techniques that audiences have ever seen combined before that is, until Coraline, the latest feature from...


Fade to Black: Roberto Schaefer, ASC

If there is one thing cinematographer Roberto Schaefer has learned during his journey into the world of digital acquisition, it’s that there is not, and probably never will be, a uniform digital workflow...


Fade to Black: R.J. Cutler, Director/Producer

Just before heading off to the 2009 Sundance Film Festival with his newest film, The September Issue, documentary filmmaker R.J. Cutler waxed philosophical...


Editor's Notes

Not quite two years ago, we started down a remarkable path that quietly transformed our work at millimeter and Digital Content Producer. The most high-profile...


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