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CS4 and 64-bit Systems, Part 2 

By Jan Ozer

In this month’s first installment, I discussed the technical aspects of 64-bit computing as it related to Adobe Creative Suite 4 (CS4) performance...

Mother Love 

By Kristinha M. Anding

Betsy McCallon says she was searching for a bridge. Having just come back to the United States after working in Southern Africa and Central America on...

Shoot Expertise: Bright Prospects for New Lighting  

By D. W. Leitner

New illumination technologies and lighting gear, as exciting as their potential may seem, always face prolonged vetting by a skeptical industry before...

Test Drive: Cinevate Brevis35, Part 2 

By Jan Ozer

I know, it’s been two weeks since I left you hanging with the receipt (but not the use) of the Cinevate Brevis35 imaging system. In this episode, I’ll take you through assembly, alignment, and configuration of the unit and reveal the first images shot with my now supercharged Canon XH A1 ...

Politics in High Def 

By Craig Erpelding

Politics drives the video industry in Washington, D.C.—advertisements being one of the largest areas. The District of Columbia has the largest concentration of firms that do political consultancy. Many of the larger consultancy groups use out-of-house facilities such as Henninger Media to keep up with the volume of ads they run. ...

Test Drive: Cinevate Brevis35, Part 1 

By Jan Ozer

Like most shooters, I’ve encountered many situations where I wished the 3 1/3in. CCDs on my best Canon and Sony camcorders could produce sufficiently shallow depth of field to allow me to blur out irrelevant sections of the frame. Perhaps it’s the ability to blur out the background in an interview or training video, which hides lots of flaws in the back wall...

Shoot Review: Panasonic AG-HMC150  

Reviewer: Jan Ozer

In stark contrast to earlier generations of AVCHD camcorders, by design and feature set, the AG-HMC150 is the first camcorder targeted squarely at the...

Shoot Review: Sony HVR-Z5U 

Reviewer: D. W. Leitner

Sony strikes again. No sooner had I reviewed the PMW-EX1 than the HVR-Z7U appeared. No sooner had I reviewed the Z7 than the PMW-EX3 appeared. I've just...

Hot Shot  

Story by Bill Miller
Photos by David Egy

It's 9 o'clock in the morning on race day at New Hampshire Motor Speedway in Loudon. Twelve members of DirecTV's NASCAR HotPass production team are sardined...

Smooth HD Feature Workflow 

By Michael Goldman

The upcoming feature film from director Gary Winick, a romantic comedy shot entirely in the Super 35mm 3-perf (1:85) film format by cinematographer Frederick Elmes, was cut by editor Susan Littenberg on Avid Adrenaline systems using an HD workflow. ...

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