Shoot Review: Sony PCM-D50 Reviewer: Gary Eskow
Have you been hanging onto that old handheld stereo cassette player/recorder you used in the late 1980s to conduct interviews, just in case? If so, toss...
DNxHD Marvel By Michael Goldman
Although Iron Man arrives to cinemas largely stereotyped as another big-budget popcorn movie, the character affectionately known as Shell Head to comic-book...
HD Share By Dan Ochiva
Ready for more resolution in more places? Nvidia, a major player in the post graphics-hardware market, recently made a serious foray into the smartphone...
Beta Sight: Quantel Pablo 4K with Stereoscopic 3D By John Nicolard, FotoKem
The recent upswing in 3D production presented a new set of challenges for FotoKem. We wanted to maintain our level of service...
Beta Sight: Red Digital Cinema Red One By Steve Tammi, 4K Ninjas
I have been Shooting with the Red Digital Cinema Red One Camera for almost six months now. Although I have been asked to write about my first impression...
Edit Review: AJA Video Systems Io HD Reviewer: D. W. Leitner
Mention video I/O for the Mac, and chances are Kona card will enter the conversation even among production people who know little about Mac-based editing...
Special OPS By Kristinha M. Anding
There's Something Very Mission: Impossible about the Oceanic Preservation Society (OPS), a Boulder, Colo.-based nonprofit that creates films about the decline of the Earth's oceans — and stops at virtually nothing to get a good shot...
Taming the Wild Ocean By Craig Erpelding
Since the advent of the moving picture, it has been innate in the soul of cinematographers to push the boundaries of the latest camera technologies. DP D.J. Roller, a certified diver having submerged in the waters surrounding all seven continents and founder of Liquid Pictures, is no anomaly as he continues to push the durability limits of a Fujinon glass-outfitted Cameron/Pace Fusion 3D camera system....
Test Drive: External Drive Connections, Part 2 By Jan Ozer
This month’s segment is about external drives for DV and HDV editing. In the last segment, I identified the characteristics of the technologies you should be considering, and in this segment, I’ll discuss the results of my testing...
DP Michael Bonvillain on Shooting Cloverfield
The strategically designed frenetic pace of the photography seen in the new Matt Reeves-directed monster movie Cloverfield relied heavily on a mixture of high-definition cameras and lower-end prosumer digital systems, as well. They were used by cinematographer Michael Bonvillain
...
| BROWSE ISSUES | |||||||
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
||
| DCP November 2008 |
DCP October 2008 |
Millimeter Sept/Oct 2008 |
DCP September 2008 |
DCP August 2008 |
Millimeter Jul/Aug 2008 |
||