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Shoot Expertise: Multicam Roundup: Part 2 

By Jan Ozer

In the May issue, I compared the multicam features and usability of Adobe Premiere Pro 2.0, Apple Final Cut Pro 5.1, Avid Xpress Pro HD 5.2.4, and the...

Shoot Review: Sony HVR-M15U  

Reviewer: Tom Patrick McAuliffe

Don't you wish there was a middle-ground product that would allow you to invest in the new high-definition technologies, yet still be able to fully use...

Shoot Expertise: That Film Look 

By Jan Ozer

Sometimes we write to be definitive; sometimes we write simply to add to the body of knowledge growing about a particular subject. This article falls...

Feature Film HD Choices 

By Michael Goldman

As major feature films captured using HD cameras proliferate, it’s interesting to take note of the nature of the decision-making process that major filmmakers have used to decide what systems, formats, and workflows to use for their particular projects....

Working with Legacy Video Formats: Part 2 

In this lead story for the HDV@Work newsletter, Steve Mullen examines methods of incorporating legacy SD video material into HD productions, using both hardware- and software-based methods....

AVCHD on the March 

By D.W. Leitner

Look up AVCHD in Wikipedia and you’ll learn that the Advanced Video Codec High Definition is a “new digital optical media format introduced by Sony and Panasonic...being positioned to compete with handheld video camera recording formats like MiniDV.” ...

Pondering P2’s Potential 

By Michael Goldman

During NAB, cinematographer Bob Scott gave a presentation on how he and his crew utilized Panasonic’s AG-HVX200 DVCPRO HD P2 handheld camcorder as a supplemental camera to Panasonic’s AJ-HDC27 Varicam while capturing footage for Showtime’s upcoming 2007 documentary on the 2006 Winter Olympic Games in Torino, Italy....

Working With Legacy Video Formats: Part 1 

Steve Mullen

In an ideal world, your HD productions will be composed entirely of HD material, or widescreen film that has been transferred to HD. Since the world is not ideal, eventually you will encounter a situation where you will need to incorporate NTSC video. ...

Digital Plastic Surgery 

By Michael Goldman

From a visual effects standpoint, X-Men: The Last Stand may be the most complex X-Men film yet. In fact, visual effects supervisor John Bruno says the...

NAB 2006 

By Barry Braverman, S. D. Katz, D. W. Leitner, Steve Mullen, Dan Ochiva, Jan Ozer, and Jeff Sauer

When the final history of NAB 2006 is written, don't be surprised if it ends up sounding like the tale of the blind man and the elephant: Depending upon...

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