Reviewer: S.D. Katz
We have all upscaled images in Adobe Photoshop, Autodesk Combustion, or other image editors, so we expect enlarging PAL or NTSC footage to HD to produce...
God in HD By Cynthia Wisehart
As church leaders understand the expanding role of AV in their ministries, they accumulate a list of skills from event producer to ENG newsgather to niche...
Going Tapeless By Michael Goldman
Director David Fincher insists he has deleted videotape from his professional life for good. I've hated tape for a long time all the nonsense that comes...
By Cynthia Wisehart
After all the so-called religious battles over film vs. HD (to borrow a quote from Larry Thorpe (or was that Oscar Wilde?), it seems appropriate to see...
Digital Vision By Michael Goldman
Filming Miami Vice for director Michael Mann would have been difficult even under the best of circum-stances. After all, the crew was charged with capturing...
Long-distance Relationship By Michael Goldman
Veterans of long-distance collaboration adventures for editing and general postproduction on major projects in recent years emphasize that the umbrella...
Field Testing Embryonic HD Tools By Craig Erpelding
Members of the production team from the independent movie Spoon feel they are not only witnessing an evolution, but also participating in it. That team was, at press time, the only group of filmmakers in the world shooting...
Steve Mullen
In the last installment, I asked “What would it mean to your HDV editing workflow if you could insert multiple video formats into a Timeline?” We then began to examine this question by looking at Avid’s Liquid 7.1. I remarked that I created two HDV sequences using Liquid....
By Michael Goldman
Curtis Clark, ASC, had been planning to make a 30-second spec commercial for Michelob anyway...
By Steve Mullen
What would it mean to your HDV editing workflow if you could insert multiple video formats into a Timeline?...