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Mark In 

By its very nature, editing is time-consuming. But even more than the hands-on part of the job, the logistics of pulling together all of the interested...

HDV editing using Avid’s Liquid 7.1, Part 4 

Steve Mullen

In this installment, we will look at the exact role that codec choice plays in a sequence preset. We are going to confront one of most fundamental debates in working with HDV — should we edit it “natively” or by using an “intermediate” codec?...

HD’s Stock Rising 

By Craig Erpelding

As the moviemaking world pushes further into the HD realm, so too do the technological specifications of stock footage companies. While major stock footage players insist the imagery they offer remains best defined by the artistic eye of the cinematographers involved, they agree that their imagery, regardless of how acquired, now needs to be finished to HD to satisfy the needs of clients in all sorts of different media....

HDV editing using Avid’s Liquid 7.1, Part 3 

Steve Mullen

In the first installment, I asked “What would it mean to your HDV editing workflow if you could insert multiple video formats into a timeline?” We then began to examine this question by looking at Avid’s Liquid 7.1, with which I had created two HDV sequences....

HD Workflow Sensibilities 

By Michael Goldman

Even as a seemingly endless slew of alternatives and options are entering into digital workflow discussions, the rise of Sony’s HDCAM SR tape...

Madonna’s Confessions Tour Uses a Flexible, Fast HP Workstation 

At first glance, the use of a powerful Adobe OpenHD configured system onsite during the current Madonna Confessions Tour for video content manipulation might appear unnecessary, because, at the end of the day, tour engineers decided to display the imagery in standard-definition during concerts....

AlphaDogs' Digital Service Station Expands to Chicago; Chicago HD Becomes First DSS Branch Outside California 

AlphaDogs announced the expansion of its Digital Service Station (DSS) to Chicago, enabling editors to focus their attention on the more creative aspects of their project and leave the busy work to DSS....

SR Tape DI Alternative 

By Dan Ochiva

With the introduction of Sony's 4:4:4 RGB HDCAM SR recorder in 2003, the take on tape changed it was no longer yesterday's format. The post industry became...

IBC 2006 

By Dan Ochiva

Ready for more? For many traveling to the International Broadcasters Convention (IBC), the annual Amsterdam, Netherlands-based show remains one of the...

Shoot Expertise: The Filmmaker's Codec  

By Barry Braverman

In the beginning, it was known as FutureSplash, the product of a small startup that had come up with a way to deliver animation to dog-slow computers...

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