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Know Your Formats, Part 1 

By Jan Ozer

Many digital shooters started with DV video, which hammered the nail in the analog-video coffin and democratized video production by dropping the price of capturing very good video from $25,000 (Betacam SP camera and deck)...

Audio Podcast: Sean Fairburn's F23 Musings 

As Sony’s F23 camera system continues to excite the cinematography community and infiltrate into the world of feature filmmaking, one of the members of that community particularly excited about the camera is cinematographer B. Sean Fairburn ...

Creative Draw 

By Trevor Boyer

Philadelphia is the sixth-largest city in the United States, but, overshadowed by its neighbors, it's not even a regional capital. A two-hour drive to...

Audio Podcast: Cutting Iron Man in HD 

Editor Dan Lebental, A.C.E., recently chatted with millimeter about his recent work cutting the newest entry into the superhero feature-film sweepstakes—Marvel’s Iron Man...

Have You Hugged Your Metadata Today? Part 2 

By Jan Ozer

In the last segment, I extolled the virtues of Panasonic’s P2 cards and the Material eXchange Format (MXF) used thereon. In this segment I review Adobe’s P2 and MXF workflow. Just to change things up, I’ll write this segment as a FAQ, rather than a narrative, which will identify the questions I feel are key to any implementation of P2/MXF support...

Indie and HD Cross Paths at SXSW 

By Craig Erpelding

Back in 1987 Austin, Texas' arts community took its local talents to a grander scale when they started the South by Southwest (SXSW) Music Festival—providing a place for regional musicians to play, meet, and collaborate. The event proved such a success that six years later, SXSW expanded to include a movie showcase with the festival. ...

Have You Hugged Your Metadata Today? Part 1 

By Jan Ozer

It’s going to be an exciting NAB Show for Panasonic. Not only will P2 cards be available at 32GB capacity (with 64GB on the horizon), the company will show AVC-Intra technology with full-raster 1920x1080 capture at 100Mbps--a great upgrade from the native 1280x1080 resolution used in DVCPRO HD 1080. Adobe also has a new bauble for the DVX crowd, specifically native MXF (Media eXchange Format)...

Edit Review: AJA Video Systems Io HD  

Reviewer: D. W. Leitner

Mention video I/O for the Mac, and chances are Kona card will enter the conversation even among production people who know little about Mac-based editing...

Special OPS 

By Kristinha M. Anding

There's Something Very Mission: Impossible about the Oceanic Preservation Society (OPS), a Boulder, Colo.-based nonprofit that creates films about the decline of the Earth's oceans — and stops at virtually nothing to get a good shot...

Shoot Review: Sony PCM-D50  

Reviewer: Gary Eskow

Have you been hanging onto that old handheld stereo cassette player/recorder you used in the late 1980s to conduct interviews, just in case? If so, toss...