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Matrox RT.X2 in the Real World: Part 1 

By Jan Ozer

Nowhere is the phrase “time is money” more true than in digital video production. Our jobs typically require a demanding combination of creativity, superior output quality, and sheer computer throughput...

Parrodoxx Pictures Chooses JVC ProHD GY-HD110 

After working in broadcast news for nine years, Kevin Martells decided it was time to take his career in a new direction once he saw JVC's ProHD GY-HD110 camera. Martells went out and bought the camera and started his own production company, Parrodoxx Pictures...

Shoot Expertise: HD Reveals All  

By Barry Braverman

Along with higher resolution and enhanced picture detail, HD increases the visibility of a lens' shortcomings. The most egregious may be chromatic aberration...

Mammoth HD Releases the 2007 HD Demo Reel 

Mammoth HD releases the 2007 HD Demo Reel, showing the scope and diversity of the Mammoth HD Footage Library and features the range of subjects from Landscapes, Scenics, Aerials, Lifestyle, Sports, and TimeLapse footage in HD and new 4K Timelapse Clips....

Ciprico’s RAIDCore 5000 Series SAS/SATA II Controller Wins Design-In Contract with Chyron 

Ciprico announced that Chyron will integrate its RC5252-08 into the company’s new XClyps HD/SD Clip Server. ...

FootageBank HD Releases Third Edition of HD Format Guide 

FootageBank HD announced availability of its third edition of the HD Format Guide, an easy-to-read tool for both new and experienced HD editors and users....

Beyond HDV: Using AVCHD with Panasonic's AG-HSC1U 

By Jan Ozer

Beyond the implications of the AVCHD format, I was intrigued by the opportunity to test Panasonic's AG-HSC1U, because it stores all video and still images on SDHC cards....

Beyond HDV: AVCHD High-definition Compression 

By Jan Ozer

Although AVCHD first appeared in consumer camcorders, a variation—AVC-Intra—will soon show up in broadcast cameras from Panasonic. Given that the MPEG-4 technology that fuels AVCHD is roughly twice as efficient as the MPEG-2 technology used in HDV, the new Sony-Panasonic standard will likely supplant HDV...

Cinematic Blow-up 

By D. W. Leitner

World cinema's pantheon of narrative masterpieces has been expanded to include a 16mm production: Berlin Alexanderplatz. But due to its Wagnerian 15-hour,...

Aiming High  

By Cynthia Wisehart

Preproduction was done in secret, because parkour is barely legal. The filmmakers were as elusive as the athletes one step ahead of anybody in authority...

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