Supplying hardware for filming in the air above Mount Everest might be the ultimate test of any production and broadcast company’s resources. ...
Editing the V1's 24p in Final Cut Pro: A Workaround By Steve Mullen
This installment of HDV@Work details a workaround for Final Cut Pro users. Steve Mullen also provides an alternate workaround ......
Commercial Calls for Multi-media Recording and Custom Camera System
When Co-directors, Steve Osborn and Zach Passero of El Paso, Texas-based Tortilla Productions were first approached to produce a commercial campaign for their clients Helen of Troy and TIGI, they knew that one format wasn’t going to be enough to capture the individualism and cutting-edge style that their clients are known for nationwide. ...
Post NAB 2007: After All the Gifts Have Been Opened
In the days following NAB, I wind up with the same mixed feelings I had as a child on Christmas night. This year was no different....
Mark In
Should your future production plans include video for the Web? The necessary high-speed connections will be there. According to recent Nielsen//NetRatings...
NAB 2007 Pick Hit Awards
At NAB 2007, new digital cinema cameras ruled the show floor. Like everything else in the digital world, these high-res...
NAB 2007 By D. W. Leitner and Dan Ochiva
In my millimeter coverage of last year's NAB 2006, Cameras and Other Driving Forces, I divided the massive show into four vectors of interest: cameras,...
Display Review: Optoma HD81 Reviewer: Jeff Sauer
What's your idea of the perfect screening-room projector? No doubt you'd want lifelike color, smooth motion, sharpness, clarity, and rich blacks. If you're...
Shoot Review: Sony HVR-V1U, Part 2 Reviewer: D.W. Leitner
In my last review of Sony's 3-CMOS HVR-V1U, I sketched the V1's pedigree, layout, operation,...
Edit Review: NewTek SpeedEdit Reviewer: Tom Patrick McAuliffe
Until recently, most NLE software applications have followed similar workflow protocols. Now a company that helped to invent this industry has come up...
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