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Racing for Sound 

By Michael Goldman
Photos By Emanuel Coltellacci

Among the most basic tips Pascal Van Strydonck has for field audio professionals who might one day find themselves in strange places working on physically...

Vanguard Awards 2008 

By Trevor Boyer

When they consider the tools they use daily, professional video producers notice that their software tends to get more expansive and more complicated...

Edit Review: M-Audio ProFire 610 and Studiophile BX8a Deluxe 

Reviewer: Gary Eskow

If you bring analog sounds into your recording system and who doesn't? you'll need an audio interface that converts them to digital data and back into...

Shoot Review: Sony HVR-Z5U 

Reviewer: D. W. Leitner

Sony strikes again. No sooner had I reviewed the PMW-EX1 than the HVR-Z7U appeared. No sooner had I reviewed the Z7 than the PMW-EX3 appeared. I've just...

Hot Shot  

Story by Bill Miller
Photos by David Egy

It's 9 o'clock in the morning on race day at New Hampshire Motor Speedway in Loudon. Twelve members of DirecTV's NASCAR HotPass production team are sardined...

Making History 

By Michael Goldman

Director Ed Zwick says he gravitates toward period pieces (Glory, Legends of the Fall, and The Last Samurai, among others) simply because “historical moments are a particularly good place to find circumstances where the dramatic stakes are so high in compelling stories...

Shoot Review: Panasonic AG-HMC150  

Reviewer: Jan Ozer

In stark contrast to earlier generations of AVCHD camcorders, by design and feature set, the AG-HMC150 is the first camcorder targeted squarely at the...

Dream Job: State of Videocracy 

By Kristinha M. Anding

Jacob Soboroff believes we are not only living in a democracy, but also in a By far, many more people upload videos to YouTube and are on MySpace and...

Dream Job: Capturing Change 

By Cynthia Wisehart

Luke Eberl rolled his Panasonic AG-DVX100 as Denver police shot pepper-spray bullets into a crowd of street protestors calling themselves Recreate '68....

Common Goal 

Story and photos by Bill Miller

If the broadcast isn't going out to 20 million people, you haven't directed live television. So starts my interview with veteran television director Lawrence...

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