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Hands-on HDX 

By Barry Braverman

I'll be blunt: I'm a seasoned pro with more than 25 years under my battery belt, and I don't like working with substandard gear. I feel this attitude...

Dream Job: Video Outlet  

By Kristinha M. Anding

Devora Kanter doesn't come from a production background, but that hasn't stopped her from using video to make a difference. The former corporate marketing manager now serves as the executive director of BayKids...

IBC 2006 

By Dan Ochiva

Ready for more? For many traveling to the International Broadcasters Convention (IBC), the annual Amsterdam, Netherlands-based show remains one of the...

Fade to Black:
Hans Canosa, Director 

By Darroch Greer

I wasn't allowed to watch movies when I was growing up, says Hans Canosa. My parents are fundamentalist Christian, so the first time I saw a movie in...

Digital Vision  

By Michael Goldman

Filming Miami Vice for director Michael Mann would have been difficult even under the best of circum-stances. After all, the crew was charged with capturing...

Going Tapeless   

By Michael Goldman

Director David Fincher insists he has deleted videotape from his professional life for good. I've hated tape for a long time all the nonsense that comes...

God in HD   

By Cynthia Wisehart

As church leaders understand the expanding role of AV in their ministries, they accumulate a list of skills from event producer to ENG newsgather to niche...

Shoot Review: Hamlet Flexiscope  

Reviewer: Tom Patrick McAuliffe

The U.S. Congress recently set the final official date for the end of analog television. This is the end of a 20-year process. By Feb. 17, 2009, all analog...

Dream Job: Video Beginnings  

By Cody Holt

Things started badly for Chris Suchorsky as he set out to make his first feature-length film in the summer of 2000. With only a week of vacation time...

Mark In 

Have you ever found yourself in the middle of a production when you suddenly realized that the amount of information hours of footage, audio, stills,...