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Mark In 

As computer technology has become more deeply a part of production and postproduction over the past few years, it's become apparent that major trends...

Cutting the Cord  

By Michael Goldman

After years of waiting for wireless/RF-based HD camera systems to become practical for use as roving cameras in live broadcast situations, the sudden...

Shoot Review: Hitachi Z-DR1  

Reviewer: Tom Patrick McAuliffe

These days there's lots of excitement over HD, as in high-definition video gear. But there's a different kind of revolution going on as well...

Shoot Review: Final Draft AV 2.5  

Reviewer: S.D. Katz

Every now and then a product comes along that works well and eliminates some annoyance or extra work from your daily routine. That's how I would describe Final Draft AV 2.5....

Mark In 

Who would have thought that it's now speed-hungry gamers who are pushing the development of today's best graphics technology? Doubt that? Consider these...

NAB 06 

By Trevor Boyer, Barry Braverman, Dan Ochiva, Jan Ozer, Jem Schofield, and Jeff Sauer

Who knew the future of digital media involved so much window, er, booth shopping? Of course, educated tire kicking is the main reason everyone shows up at NAB...

Fade to Black:
Gavin Hood, Writer/Director  

By Darroch Greer

The story has an epic, mythic, timeless, universal, classic quality, says writer/director Gavin Hood of his film Tsotsi, the South African winner of this...

Shoot Review — Holophone H2-PRO 

Reviewer: Tom Patrick McAuliffe

Things just look better when they sound better. The adoption of 5.1 surround sound by broadcasters, audio recording engineers, and consumers has been...

Cable Essentials 

By Jem Schofield

OK, let's start by getting one thing straight. Cables are not sexy. Not unless you're really weird, that is. Cables are, however, a very important part...

Hands-on HVX 

By Barry Braverman

At NAB 2005, Panasonic security dutifully watched over a glass case that held The Camera. Such was the level of excitement and anticipation for clearly catered to dreamers and promised do it all, a true-high-definition modestly priced camcorder capable of shooting variable frame rates at 720p and 1080i resolutions — at 4:2:2, no less. The camera offered the tantalizing prospect of a $150,000 shooting package for a mere $6,000. ...