Stock in the Mosh Pit By Darroch Greer
There is not another film like it anywhere in creation, and if you missed the proto-punk days of the mid-'70s, when glam rock turned incendiary, you can...
Exclusive: By Michael Goldman
Like many intense relationships, Martin Scorsese's love affair with what he fondly calls gangster pictures never quite ends. Occasionally, he moves into...
Have Server, Will Travel By Michael Goldman
Independent filmmaker Lance Weiler known as something of a self-styled technical iconoclast adopted a guerrilla approach to both making Head Trauma and...
Fade to Black: By Michael Goldman
Rodrigo Prieto, ASC, AMC, (pictured left) is living proof the new generation of cinematographers won't be abandoning film any time soon. Prieto's head...
Hands-on HDX By Barry Braverman
I'll be blunt: I'm a seasoned pro with more than 25 years under my battery belt, and I don't like working with substandard gear. I feel this attitude...
Dream Job: Video Outlet By Kristinha M. Anding
Devora Kanter doesn't come from a production background, but that hasn't stopped her from using video to make a difference. The former corporate marketing manager now serves as the executive director of BayKids...
IBC 2006 By Dan Ochiva
Ready for more? For many traveling to the International Broadcasters Convention (IBC), the annual Amsterdam, Netherlands-based show remains one of the...
Going Tapeless 
By Michael Goldman
Director David Fincher insists he has deleted videotape from his professional life for good. I've hated tape for a long time all the nonsense that comes...
Fade to Black: By Darroch Greer
I wasn't allowed to watch movies when I was growing up, says Hans Canosa. My parents are fundamentalist Christian, so the first time I saw a movie in...
God in HD By Cynthia Wisehart
As church leaders understand the expanding role of AV in their ministries, they accumulate a list of skills from event producer to ENG newsgather to niche...
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