SD Endurance Story and photos by Bill Miller
The year is 490 B.C. Television is several millenniums away, and little does the populace know, but the first-ever marathon is about to begin...
Shoot Review: Sound Devices 702T Reviewer: Gary Eskow
Audio pros who capture sound in the field know that we're in the midst of a fertile period...
NAB 2008 Wrap-up By D. W. Leitner, Jan Ozer, and Dan Ochiva
Upstarts Red Digital Cinema, Iconix, and Vision Research were responsible for some of the most arresting developments in cameras...
Sony HVR-Z7U By D. W. Leitner
I use a lot of different cameras and camcorders, from Sony HDW-F900s and Panasonic Varicams on down...
Tapeless on Steroids By Cynthia Wisehart
Shortly after the film had been in competition at Sundance, Mark Cuban bought Bigger, Stronger, Faster* (opening in theaters as we go to press)...
Next-Gen Indy By Michael Goldman
The long journey to bring a new chapter of the Indiana Jones saga to the big screen during the last 18 years has been well documented, but the end result...
Fade to Black: Joachim Trier, Director By Darroch Greer
What do Henry James, the Ramones, Alain Resnais, and Diner have in common? Ask Joachim Trier regarding his first feature Reprise, which Scott Rudin has...
Know Your Formats, Part 1 By Jan Ozer
Many digital shooters started with DV video, which hammered the nail in the analog-video coffin and democratized video production by dropping the price of capturing very good video from $25,000 (Betacam SP camera and deck)...
Shoot Expertise: Camera Mics By Barry Braverman
I admit I'm a shooter, born and raised. It's what I do like breathing. So after almost three decades of crashing a viewfinder to my face, I think I've...
Special OPS By Kristinha M. Anding
There's Something Very Mission: Impossible about the Oceanic Preservation Society (OPS), a Boulder, Colo.-based nonprofit that creates films about the decline of the Earth's oceans — and stops at virtually nothing to get a good shot...
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