Dream Job: Cinema, To Go By Kristinha M. Anding
Simon Goodrich wants you to get your filmic fix anytime, anywhere, and anyhow. That was the goal when the Melbourne, Australia-based community media pro and his friend, cross-media producer Andrew Apostola, launched the Portable Film Festival...
By Eric Melin
New filmmakers can always use help in the funding department. Once enough money is raised for something to be shot and edited, however...
Sign of the Times By D.W. Leitner
I recently had a production meeting with a young cameraman who owns a Sony PMW-EX3. In the course of getting to know one other, he asked me what it was like to shoot film, which he said he’d very much like to do one day...
By Eric Melin
If you've ever been annoyed by the glut of ads that pop up during online videos, get ready to expect more of them in the future...
By Eric Melin
As DVRs become as common as a Meryl Streep Oscar nomination, brand integration is the buzzword for 2009. NBC's off-again-on-again TV reboot Knight Rider...
Q&A With Mammoth HD's Clark Dunbar By Craig Erpelding
Clark Dunbar is CEO and creative director of Mammoth HD, a high-definition stock-footage company based out of Evergreen, Colo. Recently, Mammoth HD (MHD)...
By Cynthia Wisehart
Last year, NAB invited users of our Reel-Exchange service (reel-exchange.com) to exhibit their work on the 35ft. screen in the Central Hall Content Theater,...
Make a Reel Impression at the NAB Show
Digital Content Producer's sister website Reel-Exchange.com has partnered with NAB to present the second annual Reel Impressions showcase. Reel Impressions...
By Cynthia Wisehart
Even as video rectangles proliferate across the vast Internet, in the more finite space of real life, video sometimes breaks free of the linear screen....
Vanguard Awards 2008 By Trevor Boyer
When they consider the tools they use daily, professional video producers notice that their software tends to get more expansive and more complicated...
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