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NAB 2007 

It's that time of year again time to check out new gear. The NAB show will draw 100,000 attendees to Las Vegas from April 14 to 19, and from cameramen...

Black Snake Moan HD Post Update 

By Michael Goldman

Almost a year ago, Editor Billy Fox preached to HD Focus about the joys of using HD dailies and HD previews for Craig Brewer’s feature film, Black Snake Moan....

Chasing the Perfect Pipeline  

By Michael Goldman

The digital post workflow philosophy behind Craig Brewer's new psycho-sexual drama, Black Snake Moan, which premiered at the 2007 Sundance Film Festival,...

France's Sylicone Employs da Vinci 2K Plus for New DI Theater 

Da Vinci Systems announced that Sylicone has integrated a da Vinci 2K Plus color enhancement system into its new DI theater. ...

Dr. Strangelove Returns 

By Michael Goldman

New York's Cineric recently created a new black-and- white film print of Stanley Kubrick's classic 1964 anti-war film, Dr. Strangelove or: How I Learned...

Clint Goes Digital 

By Michael Goldman

Clint Eastwood's reputation for economical, straightforward filmmaking is a bit out of date at least in the opinion of Clint Eastwood. During a recent...

Mark In 

What if it took only a few minutes to create a large, seamless high-resolution display from multiple projectors, and you didn't have to worry about the...

Clint Eastwood Investigates HD 

By Michael Goldman

As he began preparations to make back-to-back films about the historic World War II battle for Iwo Jima—Flags of our Fathers and the upcoming Letters from Iwo Jima—director Clint Eastwood reports that he seriously investigated using high-definition cameras to make the movies. Eastwood had DP Tom Stern’s camera team and HD camera operator Liz Radley conduct a series of tests to compare footage from various HD camera systems with 35mm film footage....

Exclusive:
Scorsese: Gangster Style 

By Michael Goldman

Like many intense relationships, Martin Scorsese's love affair with what he fondly calls gangster pictures never quite ends. Occasionally, he moves into...

Fade to Black:
Rodrigo Prieto, Cinematographer 

By Michael Goldman

Rodrigo Prieto, ASC, AMC, (pictured left) is living proof the new generation of cinematographers won't be abandoning film any time soon. Prieto's head...