Animated Performance By Ellen Wolff
"A lot of technology had to be created in advance." This comment from Jerome Chen, the senior visual effects supervisor on Paramount Pictures' Beowulf...
Millimeter Vanguard Awards 2007 By Trevor Boyer
In attempting to list the most groundbreaking products released in the calendar year 2007, millimeter's editors faced an abundance of choices...
Step By Step: Vantage Point By Ellen Wolff
The Rashomon-styled structure of Columbia Pictures' Vantage Point required Director Pete Travis to depict a tumultuous political rally from the points...
Wild Ride By Michael Goldman
When Sean Penn's long-held desire to make a movie of Jon Krakauer's novel about iconoclastic adventurer Chris McCandless finally came true, the question...
Edit Review: Apple Motion 3 Reviewer: Franklin McMahon
In new version 2, Apple Final Cut Studio is an extremely powerful, even intimidating suite of professional video production applications. The effects/ compositing/motion-graphics...
Cinematic Blow-up By D. W. Leitner
World cinema's pantheon of narrative masterpieces has been expanded to include a 16mm production: Berlin Alexanderplatz. But due to its Wagnerian 15-hour,...
Exclusive: The Real Deal By Darroch Greer
Those who have faithfully followed every version of Blade Runner will be heartened to know that through the magic of digital film restoration, it has...
True Colors By Michael Goldman
The principal architects for three prominent summer CG animated movies— Ratatouille, Shrek the Third, and Surf's Up—talk with millimeter about the process of designing, building, and executing complicated color palettes for such movies...
NAB 2007 Pick Hit Awards By Trevor Boyer
Is there a Moore's Law equivalent for camcorders? Whatever it might be, NAB 2007 displayed its hypothetical fruits. We saw a working model of Red Digital...
NAB 2007 Pick Hit Awards
At NAB 2007, new digital cinema cameras ruled the show floor. Like everything else in the digital world, these high-res...
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