Related Articles

 

Next-Gen Indy 

By Michael Goldman

The long journey to bring a new chapter of the Indiana Jones saga to the big screen during the last 18 years has been well documented, but the end result...

Step by Step: Anamorph  

By Ellen Wolff

Visual effects can be crucial in depicting a story's key idea, and IFC Films' Anamorph is a case in point...

Production and Post at NAB 2008  

By D. W. Leitner and Dan Ochiva

At this, the final NAB Show of the analog era (the NTSC shut-off is Feb. 17, 2009), issues surrounding the fourth screen took on new urgency, as a simultaneous...

Integrated Team Effort  

By Ellen Wolff

“Collegial” isn't usually the first word that springs to mind when describing the competition for Academy Awards, but in this year's visual-effects category, that...

Beta Sight: Quantel Pablo 4K with Stereoscopic 3D  

By John Nicolard, FotoKem

The recent upswing in 3D production presented a new set of challenges for FotoKem. We wanted to maintain our level of service...

Step by Step: The Golden Compass  

By Ellen Wolff

A photoreal polar bear wearing elaborate armor is a signature image in director Chris Weitz's fantasy film for New Line Cinema, The Golden Compass (recently...

The Morris Microscope  

By Michael Goldman

In 1997, millimeter Senior Contributing Editor D. W. Leitner respectfully accused director Errol Morris of “transgressing the canons of documentary dogma” while writing about Morris’ then-new documentary Fast, Cheap, and Out of Control...

Beta Sight: Avid DS Assist Station  

By Dermot Shane

My Theory is that the Best DI is not Always the One with the $250,000 machines in $1-million rooms (and $4,000-per-day rates)...

Monstrous Task 

By Ellen Wolff

The poster for Paramount Pictures' Cloverfield depicts the Statue of Liberty standing headless, following a monster's attack on New York City...

Old-Fashioned Filmmaking  

By Michael Goldman

As he releases his dark character study about the rise and fall of a turn-of-the-century oil baron, Director Paul Thomas Anderson proudly touts his strict adherence to traditional filmmaking techniques while making Paramount Vantage's There Will Be Blood ...

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