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Planet 51's Postproduction Workflow 

Spain had an otherworldly success on its hands this year with Planet 51, the country's leading box office hit...

3D Postproduction Advances 

Based on content from Claudio Hernández, editor, The Lady and the Reaper

One of this year's Oscar nominees for Best Animated Short Film, The Lady and the Reaper, is a mortal tale about the Grim Reaper's battle over an elderly woman with her self-satisfied doctor. Starting as a research endeavour, the short film prompted new techniques--emerging throughout its creative process--that carry application for future projects...

Profitability on the Web 

By Trevor Boyer

On his Chicago Sun Times-hosted website this week, Roger Ebert, the don of American movie critics, bemoaned the site's lack of profitability...

Shutter Island Step by Step 

In Shutter Island, Martin Scorsese's new thriller for Paramount Pictures, the Oscar-winning director demonstrates a film fan's love for Hitchkockian shots that yield chilling revelations. One exemplary shot follows Leonardo DiCaprio's character Teddy as he scrambles from a forbidding insane asylum towards a lighthouse on a rocky island shore...

The Distribution Beat 

By Eric Melin

The upcoming self-described cult Western The Last Rites of Ransom Pride hasn't hit theaters yet, but it already has a solid fan base, thanks to a guerilla-style viral marketing campaign that has the full participation of the film's director and stars...

Creation Step by Step 

By Ellen Wolff

When director Jon Amiel set out to depict naturalist Charles Darwin in Creation, he wanted to visualize the complex cycles of life that Darwin observed in nature. In Amiel's film for the Recorded Pictures Company, he accomplished this with a startling visual-effects sequence that shows a dramatic interplay between predators and prey...

Sundance Production: Skateland 

By Trevor Boyer

Robert Hoffman, editor of the Sundance 2010 entry Skateland, traveled from Los Angeles to Austin to join the project after production was complete. In the absence of an editor, assistant editor Yusef Svacina and the producers had completed four separate cuts of their own...

Feature-quality VFX for Episodic TV 

By Rodrigo Washington, CG supervisor, Encore Hollywood

Software alone can't deliver top-notch computer graphics. While there is a wide range of tools available to deliver 3D and compositing work with a minimal investment, it takes a combination of talented and experienced artists, producers, and technicians, and a significant technical infrastructure to deliver high-quality visual effects...

Sundance Production: Casino Jack and the United States of Money 

By Trevor Boyer

The new documentary Casino Jack and the United States of Money, directed by Alex Gibney (Taxi to the Dark Side, Enron: The Smartest Guys in the Room) got a very timely premiere on Sunday at the Sundance Festival...

Producing Rich-media Content for Online Education 

Full Sail University uses Sony HVR-Z1Us, Apple Final Cut Pro, and Adobe Photoshop and After Effects to create rich-media pieces for each course that goes online...

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