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Combustion 2 for Windows 

By S. D. Katz

Discreet's desktop compositing, paint and animation system, Combustion, delivered a powerful and promising solution that seemed poised for excellence...

After Effects 5.5 

By S. D. Katz

After Effects 5.5, which began shipping in January, advances the effort to add perspective and the illusion of three dimensions that was introduced in...

Spirit's Dimensions 

by Michael Goldman

Spirit: Stallion of the Cimarron is hardly standard fare — it's essentially a painterly, epic tale about a young horse coming of age, featuring non-speaking lead characters, long stretches without dialogue, extensive scenes that highlight stylized landscapes, and a hybrid animation approach.

Pre-Viz Panic 

Michael Goldman

Officials at Pixel Liberation Front (PLF), Venice, Calif.,

credit director David Fincher with pushing them to expand the traditional concept of CG pre-visualization during their work on Fincher's new movie, Panic Room.

Art of the Artist 

Michael Goldman

A recent PBS documentary, Vermeer: Master of Light, uses computer technology to analyze the work of Dutch painter Johannes Vermeer, showing not only what Vermeer painted, but also how he painted it.

...

Beyond the Bake-Off 

Michael Goldman

How did the films nominated for the Visual Effects Oscar earn that honor? Millimeter asks the experts to explain how the famous effects' "Bake-Off" works.

...

Experimenting on Nash 

Michael Goldman

Ron Howard's controversial take on the life of famed mathematician/schizophrenic John Nash in A Beautiful Mind is not the only current film interpretation of Nash's story. A far more unorthodox approach can be found in the 11-minute, experimental documentary, 2+2, which premiered at the Sundance Film Festival earlier this year.

Building Character 

by Michael Goldman

Animators at Pacific Data Images (PDI), Palo Alto, found themselves struggling late last year to keyframe moves for the villain from the upcoming PDI/Dreamworks...

Tracking the Beast 

Jack Lloyd

Tracking tools are the key to integrating computer graphics and video. Here are a few that can help you tame the CG beast in your next project.Ever since...

Making Faces 

Michael Goldman

Facial Motion Capture The role of motion-capture technology in facial animation depends on a wide range of factors: project, budget, medium, resolution,...