by Ellen Wolff
A key character in the Harry Potter franchise debuts in Harry Potter and the Chamber Of Secrets, director Chris Columbus' second film in the Warner Bros. series....
By Michael Goldman
Threshold Digital Research Labs' (TDRL) CG feature film, Foodfight!, and the company's five-year effort to become a global, digital animation production studio are both unorthodox endeavors, to say the least.
...
To create the DVD master, also slated to be used for other electronic distribution purposes in the future, Sony Pictures Entertainment (SPE), in consultation with Post Logic, decided not to use the interpositive used for the theatrical release....
by Chad Ashley, Optimus
Renderers are the hot topic right now. If you spend any time on web boards, you can't read five lines without seeing global illumination, radiosity, or...
by Ellen Wolff
There's no shortage of surreal imagery in the DreamWorks release The Ring, but one of the more challenging visual effects scenes doesn't appear to have effects at all....
By Ellen Wolff
For the latest proof of the enduring influence of Stanley Kubrick's 2001: A Space Odyssey, look no further than the lengthy spaceship shots in Steven Soderbergh's Solaris (Fox/Lightstorm)....
by Ellen Wolff
It's a scene that likely exceeds the wildest fantasies of Cecil B. DeMille: 70,000 soldiers marching across the screen in director Peter Jackson's The Two Towers, the second installment in New Line's film trilogy The Lord Of The Rings....
by Loni Peristere
Since Joss Whedon and I had worked together for six years on Buffy the Vampire Slayer and three years on its spinoff, Angel, it wasn't surprising that he asked me to serve as visual effects supervisor on his new sci-fi show, Firefly....
Michael Goldman
Director Robert Rodriguez and his effects team on Spy Kids 2: The Island of Lost Dreams say they benefited greatly from motion-capture help in building a couple of effects scenes, but not in the usual way....