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Break Out 

By Cynthia Wisehart

Mobility was the trend at Siggraph this year, and not just at the production end of the pipeline. Two technology categories that have become increasingly...

Step By Step: Evan Almighty 

By Ellen Wolff

Universal Pictures’ Evan Almighty was designed to have visual effects of mythic proportions, and a raft of houses—including the big facilities Industrial Light & Magic (ILM) and Rhythm & Hues...

Mark In 

One day, historians of storage technology will make note of 2007. Just about 50 years after IBM stored 5MB on the first refrigerator-sized hard drive...

Edit Review: Apple Final Cut Studio 2  

Reviewer: Jan Ozer

Apple Final Cut Studio 2 is like the proverbial elephant and the blind man your impression depends upon where you touch it. For this review, I'll touch...

Edit Review: Adobe Photoshop CS3 Extended 

Reviewer: Franklin McMahon

Introduced just before NAB among a flurry of new product announcements that includes Premiere Pro CS3, Adobe's new version of Photoshop has been buried...

Aiming High  

By Cynthia Wisehart

Preproduction was done in secret, because parkour is barely legal. The filmmakers were as elusive as the athletes one step ahead of anybody in authority...

Prospectors 

By Cynthia Wisehart

This week, three things happened that intersect. I got an eloquent letter from a reader a brief, lucid history of our industry and his career from the...

Return of the 3D Duke 

By Michael Goldman

One day in 1953, Michael Wayne invited his then-girlfriend, Gretchen Deibel, to attend a 3D screening of Hondo, a new movie by his father, John Wayne....

Restoration Issues 

By Michael Goldman

The importance of restoring feature films has never been more pressing than it is today, as classic films age and new digital restoration, storage, and...

Tron Then and Now 

By Ellen Wolff

It's been a quarter-century since Disney's Tron took audiences inside the world of a video game and heralded the dawn of CG moviemaking. Yet its influence...

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