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Step by Step: Watchmen 

By Ellen Wolff

Phantasmagorical effects abound in Warner Bros.’ Watchmen, which isn’t surprising given its origin as a graphic novel about superheroes. But alongside the film’s otherworldly visual effects...

Distribute Expertise: Virtual Test Bench 

By Jan Ozer

Imagine that you're an Adobe Flash game developer and you get a call from a large mobile carrier that wants to make your games available on its network....

Big New Tent 

By Cynthia Wisehart

Next month, the print publication you receive will be the launch issue of a new venture that combines the content and audiences of Digital Content Producer,...

Crossroads for the Arts 

By Eric Melin

You might have heard of Kansas City's most famous filmmaker. After brief stints at the Pesmen-Rubin Art Studio and the Kansas City Film Ad Company, Walt...

Production with the Web 

By Dan Ochiva

The last few columns have shown how companies employ the Internet to foster production and post, whether by improved collaboration or new tools such as...

Reel-Exchange Headlines from The Briefing Room  

Rhino and Director Iain Mackenzie Team Up for Mercedes-Benz (1) Rhino Creative Director/Visual Effects Supervisor Vico Sharabani collaborated with Director...

Digital Content Producer's The Briefing Room  

Abaltat Helps the Music Come Together on the John Lennon Educational Tour Bus Abaltat, developer of innovative music generation tools, is on board as...

Skillset 

Avid Advanced Editing Tips and Techniques April 6-8, Hollywood, $1,195edu.moviola.com Designed for experienced Avid Media Composer, Xpress Pro, or Symphony...

Editor's Notes 

Not quite two years ago, we started down a remarkable path that quietly transformed our work at millimeter and Digital Content Producer. The most high-profile...

Q&A with FlickerLab founder/creative director Harold Moss  

By Craig Erpelding

Harold Moss is the founder and creative director at FlickerLab and Moss based in New York which worked on two movies that are grabbing headlines of late:...

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