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How to Survive as an Animation Contractor 

By Jake Friedman on behalf of AnimationMentor.com

When I finally decided to dedicate myself to animation, I knew I was joining the ranks of the most talented artists in the world...

Input 

By Cynthia Wisehart

This is the relaunch issue of the millimeter community, which includes the readers of millimeter, Digital Content Producer, our websites, and our enewsletters...

Dream Job: Cinema, To Go 

By Kristinha M. Anding

Simon Goodrich wants you to get your filmic fix anytime, anywhere, and anyhow. That was the goal when the Melbourne, Australia-based community media pro and his friend, cross-media producer Andrew Apostola, launched the Portable Film Festival...

Millimeter's The Briefing Room 

Vaddio Products used to Create Live Mobile Webcasting System; Feature Film Made in China Shot in P2 HD, Takes Top Honors at South by Southwest...

Skillset 

Lighting for Video Film Style and Intermediate Editing with Apple Final Cut Pro 6...

The Distribution Beat 

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New filmmakers can always use help in the funding department. Once enough money is raised for something to be shot and edited, however...

Q&A with Salt Creative Director/Partner Ian Douglass 

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The Disappearing Desktop 

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Is your current computer your last desktop? You might think so if you’ve been reading the pundits lately. The world seems to be thinking small...

Beta Sight: Autodesk Toxik 

By Christopher Wirth, executive vice president and creative director, Universal Images

As executive VP and creative director of Universal Images, I’m responsible for evaluating and purchasing equipment, managing creative teams, hiring and recruiting, new business development, and overseeing every commercial and television project that comes through the company...

Review: Autodesk Maya 2009 

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Maya 2009 marks the 10th release of Maya and the third release from Autodesk. This new version promised a lot...

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