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millimeter's The Briefing Room 

The Embassy Visual Effects dove deep into alien territory with high- impact effects for the Sony Pictures’ blockbuster District 9, which opened at number one in its opening weekend...

Review: Apple Motion 4  

by Franklin McMahon

Apple Motion 4 boasts major advances in the areas of text, camera framing, depth of field, 3D shadows and reflections, credit rolls, and link parameter options....

G.I. Joe: The Rise of Cobra Step by Step 

By Ellen Wolff

A revealing scene in Paramount Pictures’ G.I. Joe: The Rise of Cobra takes audiences on a descent into a vast, underground hangar that’s buried beneath desert sands....

Input 

By Cynthia Wisehart

At Sundance this year, I sat in the Filmmaker Lodge with Davis Guggenheim flipping through his iPhone; it was filled with his photographs from his documentary It Might Get Loud, about guitar legends Jimmy Page, The Edge, and Jack White...

High-res Dreams 

By Dan Ochiva

While Dalsa's dreams of creating the top 4K digital camera are dashed--the company closed its digital cinema division late last year...

Q&A with John Montgomery, Visual-effects Executive Producer for Red Dwarf: Back to Earth 

By Craig Erpelding

John Montgomery is a visual-effects artist and a cofounder of fxguide.com, a website for high-end visual-effects professionals, and fxphd.com...

Winging It 

By Michael Goldman

It Might Get Loud Director Davis Guggenheim brought his subjects--guitarists Jimmy Page, The Edge, and Jack White--together for the first time...

Review: Noise Industries FxFactory Pro 

By Franklin McMahon

FxFactory Pro from Noise Industries is a package of expertly designed, powerful plug-ins that generates digital effects for Adobe After Effects, Apple Final Cut Pro, and Apple Motion on the Mac OS X platform...

Review: wondertouch particleIllusion 3.0 

By Franklin McMahon

Wondertouch has released particleIllusion 3.0 for Mac OS X....

First Person: Creative Group Restores Gojira 

By Mike Buckner, general manager, Creative Group

There is, perhaps, nothing more satisfying than employing a modern arsenal of advanced tools to rescue and reconvene a classic film...

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